At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2022 Overall Thoughts Too often this year, my monthly round-ups have been… kind of a … Continue reading
With the release of their new special album, ONF have rewritten the rules for how boy groups handle military enlistment. I’m no expert, but I thought idol groups weren’t able to release music during enlistment because of laws related to wages and income. However, WM Entertainment had the foresight to record and prepare this material … Continue reading
Yesterday, I struck a disappointed note when rounding up this year’s strongest singles, and this albums list is going to be quite similar. 2022 has delivered some decent albums so far, but nothing close to a My Name/City Of ONF, Don’t Call Me/Atlantis, YES, Summer Queen, Gatcha or The Chaos Chapter: Freeze. In fact, I’m … Continue reading
So… here’s the thing. This mid-year singles list is usually reserved for songs that are all-but certain to end up in my top ten at the end of the year. If judging by the quality of past years, the songs below would most likely fall in the teens or twenties, meaning we’re either going to … Continue reading
The lines between music and advertisement have always been blurred in K-pop, making the industry’s CF track worth watching out for. In fact, I think last week’s Gatorade jingle was actually stronger than most official comebacks! The Pepsi/Starship collaboration continues with Blue & Black, bringing together Hyojung and Arin from Oh My Girl, Wonyoung and … Continue reading
One of the quirks of The Bias List is my hesitancy to give 10/10 scores right off the bat. I just don’t know that you can measure perfection on release day, nor do I think a perfect score is attainable without some time and experience. This approach doesn’t exactly jibe with “OMG SOTY” internet culture, … Continue reading
I’ve listed my “top tens” for many artists, but it’s time to rummage through entire discographies and rank every single from worst to best. This feature will primarily tackle groups who have disbanded or gone on indefinite hiatus. It’s a way for me to re-evaluate my initial thoughts on their singles run. Don’t be surprised … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Oh My Girl’s album is incredibly … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2022 Overall Thoughts I’m eager to write a super effusive, super excited monthly round-up. Unfortunately, … Continue reading
In a girl group landscape filled with bombastic beats and shouty sing-talk, Oh My Girl are a welcome outlier. Their career is filled with quirky highlights, harnessing memorable hooks to craft a sound that moves from ethereal to whimsical and back again. Increased popularity has stolen a bit of this unique identity, but with peers … Continue reading
Building off my “Most Epic Days in K-pop” feature, I thought I’d spotlight some of the most epic weeks in K-pop history. K-pop is usually a Monday through Friday affair (at least in my time zone), with some weeks stuffed to the brim with releases. But, not all include multiple 9+ rated songs. This feature … Continue reading
We’re down to the wire now with K-pop’s final year-end festival. MBC’s show is usually my favorite. It feels the most festive, bridging the gap between New Year’s Eve and New Year’s Day. It also tends to have the most robust artist line-up. Like every festival of the past two years, this one revolved around … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2021 Overall Thoughts After spending the past few weeks counting down everything under the sun … Continue reading
I didn’t plan on making this post, but as I wrapped up the last of my K-pop specific countdowns for this year, I realized it would be fun to compile them together and see which overall comebacks came out on top. After all, a K-pop comeback is more than just the title song. So, I … Continue reading
While I don’t incorporate a song’s video into the reviews on this blog, I’m definitely not immune to a striking visual. Music videos are a vital part of the industry, and it’s time to celebrate my favorites of 2021. 2021 YEAR-END MASTERPOST Honorable Mentions: ONEWE – Rain To Be U-Know – Thank U Kingdom – … Continue reading
After the borefest that was KBS’s Song Festival, I wasn’t really in the mood to see what SBS had to offer. But, the cheesy-fun introductory stage, where all the artists joined together to sing Mariah Carey’s All I Want For Christmas Is You, turned my frown upside down. We haven’t gotten many chances to see … Continue reading
With the full YouTube release of every Universe MV a few weeks ago, I thought maybe the app had turned a corner. Unfortunately, Oh My Girl’s Shark brings us right back to where we started, with official “previews” on YouTube alongside an invitation to download Universe for the full experience. I guess this means my … Continue reading
Each year, it feels like my B-Sides and Album Tracks list grows stronger and stronger. Too often, K-pop agencies miss the boat on releasing these incredible songs as title tracks. 2021 was no different, revealing a host of gems that would have topped my Singles list had they been promoted. Instead, I’ve got two days … Continue reading
Each year, it feels like my B-Sides and Album Tracks list grows stronger and stronger. Too often, K-pop agencies miss the boat on releasing these incredible songs as title tracks. 2021 was no different, revealing a host of gems that would have topped my Singles list had they been promoted. Instead, I’ve got two days … Continue reading
2021 offered quite a few strong albums, enough for both of my categories to include numerous honorable mentions. Full albums were especially great this year — a trend I hope to see continue in 2022. Like usual, my top ten list is cut in half, presenting the top five mini albums and the top five … Continue reading
The Bias List // K-Pop Reviews & Discussion 