K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
This week, we’re journeying back half a decade to look at K-pop’s best releases of 2015! 2015 was a prime year for K-pop. It saw the return of industry royalty, as Bigbang blitzed the market with no less than seven singles. It acted as the launchpad for many of today’s top acts (Twice, Seventeen, GFriend, … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
With K-pop’s retro trend continuing to chug along, artists like Yubin stand to benefit most. After all, she’s been tackling city pop before it was popular, with songs like 2018’s Lady. And while she briefly explored her hip-hop side with last year’s Yaya, new single Perfume (향수) brings her back to sharp, icy synth textures. … Continue reading
After taking a deep dive into both SM Entertainment and YG Entertainment, it’s time to move onto another of K-Pop’s bog four agencies: JYP Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like profits and stock value. The purpose of these articles … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
Ex-Wonder Girl Yubin carved out a fun little niche for herself in 2018 with the retro releases Lady and Thank U Soooo Much. I hoped that she would continue down this road, but 2019 saw a return to more subdued fare with mid-tempo (and Yoon Mirae duet) Silent Movie. Now, she’s back with yet another … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! November … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
As unfortunate as the disbandment of Wonder Girls continues to be, it’s freed up the group’s members to deliver some truly fantastic solo work. Sunmi has been on a hot streak since last year, and Yubin is right on her heals. Her city pop single Lady earned many admirers back in June. I continue to … Continue reading
The idea of a musical “concept” abounds in K-pop, but true concept albums are rare. A title track may swerve one way, while its accompanying b-sides retreat to more generic territory. This was not the case with Wonder Girls’ 2015 reunion album Reboot. Not only did it establish the girls as an instrument-playing band, but … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Collapsedone Years … Continue reading
To my mind, 2015’s Reboot was not only Wonder Girls’ best album, but one of the best k-pop albums of all time. It’s such a pity that the group never had a chance to follow up on its 80’s sound before disbanding. But this — unexpectedly — is where Yubin comes in. With debut solo … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. FRANTS Years … Continue reading
Now that Wonder Girls are officially disbanded, many have been curious what each member will release as a soloist. Sunmi hasn’t necessarily been a stranger to solo work, but it’s already been three years since her highly successful mini album, Full Moon. When it was announced that she would be working with YG’s super-producer Teddy … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. JYP (PARK … Continue reading
The Bias List // K-Pop Reviews & Discussion 