Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
As unfortunate as the disbandment of Wonder Girls continues to be, it’s freed up the group’s members to deliver some truly fantastic solo work. Sunmi has been on a hot streak since last year, and Yubin is right on her heals. Her city pop single Lady earned many admirers back in June. I continue to … Continue reading
The idea of a musical “concept” abounds in K-pop, but true concept albums are rare. A title track may swerve one way, while its accompanying b-sides retreat to more generic territory. This was not the case with Wonder Girls’ 2015 reunion album Reboot. Not only did it establish the girls as an instrument-playing band, but … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Collapsedone Years … Continue reading
To my mind, 2015’s Reboot was not only Wonder Girls’ best album, but one of the best k-pop albums of all time. It’s such a pity that the group never had a chance to follow up on its 80’s sound before disbanding. But this — unexpectedly — is where Yubin comes in. With debut solo … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. FRANTS Years … Continue reading
Now that Wonder Girls are officially disbanded, many have been curious what each member will release as a soloist. Sunmi hasn’t necessarily been a stranger to solo work, but it’s already been three years since her highly successful mini album, Full Moon. When it was announced that she would be working with YG’s super-producer Teddy … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. JYP (PARK … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. e.one Years … Continue reading
In k-pop, music videos are nearly as important as the songs themselves. It’s become such a visual genre, regularly churning out glossy videos that look much more expensive than they are. Without focusing too much on the actual song (though it’s impossible to fully separate the two), here were the top ten visual moments of … Continue reading
The end of the year countdowns are here! We’re starting things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. Unlike last year, j-pop releases will be placed in their own countdown, … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
In honor of Wonder Girls’ excellent new single, it’s the perfect time to take a look back at their long career. But before we do, I have a k-pop confession to make: before Wonder Girls reconfigured as a band, I just wasn’t that into their music. I know I’m in the minority here, since they’re … Continue reading
Wonder Girls’ Reboot was my favorite full length k-pop album of 2015, and this is coming from someone who had never really been a massive fan in the past. I’m delighted that they’re keeping with their new band formation, but I worried when it was announced that Why So Lonely would be primarily reggae-based. I … Continue reading
The year of the duets continues, with JYP launching its own series of in-house company collaborations. If nothing else, the project seems well-suited to give us new music from some of the agency’s less-promoted artists. For instance, it’s been ages since we heard from Kpop Star‘s Bernard Park, and for With You, he’s been … Continue reading
Okay, okay. When I say kpop, I mean mostly kpop, because there’s going to be some jpop and cpop in this list as well (some of it in very prominent positions), but “Top 50 K-Pop & J-Pop & C-Pop Songs of 2015” just doesn’t have the same ring to it! The only other criteria for … Continue reading
Oh, good old reliable MBC. Yet again, they have the most consistently good Gayo of the year. There wasn’t any performance as flawless as Infinite’s KBS one last night, but there were also very few stinkers. They do have a leg up from the start, with a more complete line-up and the New Year’s celebrations buoying … Continue reading
The annual Gayo Daejuns are one of my favorite times of the year for kpop. A combo of song festival and awards ceremony/gala, they round out December nicely by offering dozens of performances from the biggest artists of the year, often in remixed or reinterpreted versions. They’re reliable for providing some of the biggest and best … Continue reading
