At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Xikers have a pretty crazy range when it comes to their song reviews on this blog. It seems that I either love or hate their material and there isn’t much room in between. For every Bittersweet there’s a Red Sun. For every Do Or Die there’s a Koong. So, where does new title track Breathe … Continue reading
(Note: If you’re unable to view this post on a phone, please try on another device. I believe the number of video embeds is causing trouble on certain browsers.) Yep, I’m back to writing about K-pop’s year-end festivals. They were some of the earliest events I covered on this blog but over the past few … Continue reading
This is always one of the countdowns I feel least confident about because I tend to listen to K-pop more often than I watch it. It’s also a very subjective category, as my visual/storytelling/conceptual preferences may not match others’. The truth is, K-pop has become so adept at crafting fantastic music videos that I could … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
After taking a look at K-pop’s biggest agencies, I’d like to turn my attention to the smaller (but still important) players in the K-pop game, three at a time. Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2024 Overall Thoughts While the first half of 2024 was quite strong, these past few … Continue reading
EDIT: This was previously published as a “buried treasure” review, but now that we’ve got an official video I’m switching it over to a normal Song Review! When writing about xikers’ Witch, I mentioned that there are often enjoyable b-sides on the group’s albums even if their title track doesn’t appeal to me. That’s especially … Continue reading
I’ve been hot and cold on xikers’ music so far, usually finding at least one b-side I enjoy but often wishing their title tracks went a different direction. Making matters worse, I found the preview of new single Witch (위치) the least compelling clip on their album’s highlight medley, forgoing their freewheeling rock energy for … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
It’s been a busy summer for K-pop acts releasing Japanese music. Xikers is the latest group to venture into this market with the release of their first original J-pop single Tsuki (Lunatic). The song is composed by the usual KQ Entertainment suspects, ensuring continuity with their Korean discography. In fact, it feels like a natural … Continue reading
Xikers have already established a tradition of including at least one song on each album that I must skip for my own well-being. Last summer, that track was Koong. Now, it has a sibling. I appreciate the energy here and I assume that’s why it would appeal to some listeners. If you enjoy being shouted … Continue reading
It took me some time to come around to xikers’ sound, but their second mini album — and particularly the raucous energy of title track Do Or Die — made me a convert. As with any group debuting in the shadow of an ultra-famous agency senior, they’re at their best when blazing their own musical … Continue reading
Before I take a look at K-pop’s established artists, it’s time to spotlight this year’s fresh crop of talent! While 2022 was stuffed with girl group debuts, 2023 was dominated by boy groups. The ratio itself is pretty staggering, and much of this is likely due to the various spin-offs from MNET’s Boys Planet series. … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
As per tradition, the next few weeks on The Bias List will be stuffed with all sorts of year-end countdowns, mostly concerning the year in K-pop but also encompassing J-pop, global pop and even Japanese dramas! Basically, it’s a chance for me to take stock of my year in fandom and celebrate the things I … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2023 Overall Thoughts For the first time this year, I could have easily filled a … Continue reading
Despite my negative reaction to pre-release Koong, I’ve been playing Xikers’ new album quite often. Title track Do Or Die is fantastic, and songs like Run and Sunny Side are surprisingly groovy. Homeboy‘s hazy, downbeat sound is a surprising choice for follow-up single, but the song has grown on me with time. Homeboy‘s verses utilize … Continue reading
This year’s KCON will live in infamy for a number of reasons: outrunning the remnants of a rare hurricane on my way home, testing positive for covid a day after, etc etc. However, this craziness doesn’t mean I don’t have highlights and commentary to share! For the first time, KCON LA’s concerts extended to three … Continue reading
I was quite ruthless when writing about Xikers’ pre-release Koong, drawing ire from the their fan base alongside accusations that I “hated” the group. In reality, I very much enjoyed this spring’s Rockstar and I’m heartened by the fact Do Or Die brings them back to this guitar-heavy sound. This feels like a nice niche … Continue reading
