When looking back at this year in K-pop, there wasn’t really an album that caught my attention until April. Thankfully, things moved in a more positive direction after that. However, for the first time that I can recall all of the albums on this list are minis. I’m not sure what (if anything) that says … Continue reading
We’re halfway through the year, which means it’s time to check in and see how K-pop is doing in 2026. If I were grading the year in comparison to others, we’d be in trouble. There have been brief spikes of excitement, but overall 2026 has been characterized more by its many missteps than its few … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. XngHan&Xoul’s new mini album feels like … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2026 Overall Thoughts I’ve been doing this K-pop thing long enough to know that slumps … Continue reading
Since leaving RIIZE, Seunghan has re-debuted as the XngHan&Xoul project, releasing the upbeat Waste No Time last summer. That song showed a ton of potential but didn’t quite fulfill on its ambitions. Now, with new mini album Glow, he takes a deeper dive into club music and the sound feels more assured and exciting. House … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2025 Overall Thoughts In the context of this year, the past two months have been … Continue reading
“XngHan & Xoul” may not be a familiar name yet, but “RIIZE’s Seunghan” certainly is. Seunghan debuted with SM Entertainment’s RIIZE in 2023 but was forced out of the group soonafter for insanely ridiculous reasons. For a moment, it seemed as if he would re-join their ranks, but fan toxicity caused him to debut as … Continue reading
The Bias List // K-Pop Reviews & Discussion 