Formed through YG Entertainment competition show Who Is Next in late 2013, Winner went on to enjoy breakout success with their first full length album. Since that time, the group has seen ups and downs, with truncated promotional campaigns and the loss of founding member Taehyun. But against all odds, Winner has returned as one … Continue reading
After the incredible success of Really Really, Winner have unexpectedly become to the torchbearers for tropical k-pop. But while they’ve displayed a natural ease with this genre, I’m hoping that their transformation doesn’t ultimately become problematic. Tropical pop is already a fatigued genre, peddled by anyone and everyone in k-pop. I was personally sick of … Continue reading
With the departure of member Taehyun, Winner has adopted a surprising dance-oriented sound that led to the massive success of April’s Really Really. In a rare display of smart, efficient management, YG Entertainment has allowed the guys to make a quick follow-up designed to cement their new style. When I heard that Love Me Love … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2017 Overall Thoughts July is always the month I look most forward to when it comes … Continue reading
Thinking back to when Akdong Musician were just an awkward pair of siblings competing on season two of K-Pop Star, it’s hard to believe they’ve managed to become such a force within the k-pop industry. Their quirky talent shone from the beginning, but with each new comeback it’s becoming clear that their sound doesn’t need … Continue reading
Better late than never, I suppose. Though Love doesn’t get a music video that actually features PSY and Taeyang in it, I’m happy that the song is still garnering some promotion. When PSY’s album was released back in May, it was heralded by a pair of title tracks that stuck to his tried and true … Continue reading
It might not be the k-pop hub that is L.A., but living in the Pacific Northwest, we get our fair share of concerts in neighboring Vancouver. Even so, when I saw that G-Dragon had extended his world tour to Seattle, it seemed like a minor miracle. I can’t remember a time when a big-name k-pop … Continue reading
The first time I saw and heard One was as part of the short-lived duo 1Punch. Their Turn Me Back was one of the most underrated singles of 2015, but it turns out that its catchy New Jack Swing style wasn’t really what One was about. Rather than continue that sound for his solo debut, … Continue reading
Much has been made about the debut of YG Entertainment‘s first new solo artist in years, and with that kind of qualifier you might expect a splashy, go-for-the-jugular k-pop smash. But rather than offer the sort of bombastic, swag-filled hip-hop that the agency has become known for, One debuts with a laid-back summer track that … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2017 Overall Thoughts Of the 18 months I’ve been running this site, June was the strangest … Continue reading
After taking a mid-year review of 2017’s songs last week, it’s time for the albums. In a landscape shifting more and more towards the digital single, I’ve been a longtime proponent of the classic pop album. 2017 hasn’t given us all that many, but there have definitely been a few standouts. Here are my favorites … Continue reading
Much has been made about BLACKPINK essentially being a replacement group for the now-disbanded 2NE1. And I get it. There are four of them, they’re part of YG Entertainment, and they work with the same producers that crafted 2NE1’s sound. In the case of new single As If It’s Your Last (마지막처럼), we’re likely dealing … Continue reading
Before the Bias List‘s Top 50 songs countdown in December, it’s time to take a mid-year survey of the k-pop landscape in 2017. Compared to 2016, this year has been somewhat underwhelming. But that doesn’t mean 2017 hasn’t had its share of highlights. Unsurprisingly, my list includes a number of acts that overlap with last … Continue reading
Amidst everything going on with his band-mate T.O.P, G-Dragon made the right decision in releasing the emotive Untitled, 2014 as the first single from his new mini album. But this being G-Dragon, we knew we’d be getting at least one hip-hop hype track before the album campaign was over. The eye-catchingly titled Bullshit is the … Continue reading
It’s such a thrill to write about a solo G-Dragon track. Though Bigbang has been active over the past few years, we haven’t heard from G-Dragon on his own since 2013’s brilliant Coup d’Etat album. But on a personal level, he was one of my first ambassadors to k-pop as a whole. I can’t think … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2017 Overall Thoughts May was a month of contrasts. The first two weeks were among the … Continue reading
iKON is YG Entertainment‘s newest boy group, formed through a series of survival shows that saw them debuting one year after their peers Winner. The guys may have only recorded one full album so far, but with YG’s singles-oriented release schedule, they have just enough title tracks for a top ten countdown. iKON is currently one … Continue reading
With a title like B-Day (벌떼), a song could easily devolve into cringe-worthy territory. But with the first of iKON’s double title tracks trying too hard to paint the guys as swagger-filled hip-hop legends, a little levity is welcome. And although B-Day doesn’t receive top billing on the group’s new single album, it’s by far … Continue reading
Now that YG Entertainment has moved to a double title track only release schedule for most of their artists — often with a long break in between comebacks — it’s essential for every one of those songs to be amazing. If you start giving the music video treatment to subpar material, it weakens the whole … Continue reading
It’s hard to believe that, after a year and a half since launching this website, I still haven’t had the opportunity to review any Korean comebacks by solo Bigbang members. For a group approaching military enlistment age, you’d think that YG would want to keep the members as busy as possible. So Good may have been created as … Continue reading
