At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
YUHZ didn’t reinvent the wheel with their May debut, but they filled a bright boy group niche quite well. Oftentimes, groups like this exhaust their quota of upbeat pop music within the first few comebacks before moving into something more “mature” (read: “boring”). But at least for now, YUHZ feel especially suited to more upbeat … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2026 Overall Thoughts While May wasn’t quite as stuffed with highlights as April, it was … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Debuting boy group YUHZ come to us from survival series B:MY BOYZ. Like many new series-spawned groups, their contract is slightly longer (five years), which hopefully gives their agency motivation to promote them with longevity in mind. A song like Rush Rush could be considered low-hanging fruit for me. Even at its worst, a bright, … Continue reading
