A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. This will be a weird “buried … Continue reading
All of a sudden, it feels like a certain type of EDM has taken over K-pop — or at the very least taken over HYBE Corporation. This isn’t an unwelcome development in my eyes (anything to kick up the industry’s tempo a bit!), but we haven’t yet arrived at the anthemic, melodic, euphoric early-2010s EDM … Continue reading
Since their debut, VVS have yet to score a song rating above the sixes on this blog, which puts them in rarified air. To make matters worse, I constantly get them confused with VVUP, who have fared a little better ratings-wise. In general, any act that puts dollar signs in their song titles is unlikely … Continue reading
SNSD’s Hyoyeon continues her run as a DJ/solo artist with new single MOVEURBODY. This song has been available for about a month now, but a music video premiered today so I thought I’d give it a little write-up. After all, HYO has been responsible for some bangers in the past. Throughout her solo career, HYO … Continue reading
The Bias List is currently churning out new “A Career in Song Ratings” posts, where I rank established artists’ singles runs against each other. When I eventually get to B1A4, they’ll be one of the few groups I split into two entities. For me, there’s such a difference between the five-member version of B1A4 and … Continue reading
Over five years since STAYC’s debut, High Up Entertainment has debuted a new girl group. UNCHILD have one of those K-pop names that sounds ridiculous at first but will likely become common parlance as the group establishes themselves. However, it’s not a name built to last. Can you imagine a bunch of forty or fifty … Continue reading
Close Your Eyes had a banner 2025, though I didn’t connect with their most recent album as strongly as their first two. This is despite their movement into a more dance-oriented style, which would usually appeal to me. I guess I prefer when a group takes time to establish a signature sound before experimenting with … Continue reading
Super Junior’s Donghae has released his first full album today, preceded by the lukewarm Good Day (which I thought sounded like a commercial jingle). However, the album’s highlight medley sounded more promising and the clip of title track HAErise (해 떴네) definitely caught my ears for its dancefloor-ready sound. When the unit Super Junior-D&E first … Continue reading
Late last year, Boys Planet spin-off group EVNNE became permanent, though this came at the expense of two members. Now a five-piece, they’ve reoriented their sound to fit the trends of the day. If new single Backtalk (뱉어) is any indication, their A&R team has noted the success of Cortis’s rage hip-hop and decided to … Continue reading
NCT Wish debuted just over two years ago but have already beaten many of their 2023-24 peers to the punch when it comes to releasing a full album. SM Entertainment is usually pretty generous with their full albums, and I wonder if that’s because the agency’s genesis came at a time when full albums were … Continue reading
As you might have expected from a new group debuting under Big Hit, Cortis have blown up since the release of their first album. Big Hit has used scarcity to their advantage, promoted tracks from that album but holding off on a comeback until later. That comeback is finally scheduled for next month, and pre-release … Continue reading
Anderson .Paak has become a go-to global collaborator for K-pop acts. In recent years, he’s paired with G-Dragon and BTS’s RM. Now, he’s joined forces with NCT’s Taeyong, who makes his return from military hiatus with new solo single Rock Solid. Given that 2026 is NCT’s tenth anniversary, I expect we’ll see many more special … Continue reading
Yves’s solo career has been marked by collorations with buzzy global artists. When last we saw her on this blog, she paired with PinkPantheress — an artist with outsized influence on the current state of K-pop’s girl groups. For new single Nail, she’s teamed up with American singer Lolo Zouaï. The song doesn’t stray too … Continue reading
Xdinary Heroes have distinguished themselves from other idol bands through their willingness to move past sentiment into whimsical theatricality. Early efforts in this vein weren’t quite to my taste, but they’ve found a satisfying middleground lately. New title track Voyager offers a slightly different sound for the group, bolstering their anthemic songwriting with celestial synth … Continue reading
It’s not often that a K-pop track demands attention from its title alone, but I certainly did a double take when I spotted the name of Wheein’s new single The Symphony Of Fxxkboys. Not only is it a bold statement for a relatively conservative industry, but its unexpected combination of words instantly makes you wonder … Continue reading
Throughout their career, HITGS’s music has often hinged upon deliberately cheesy and chintzy sounds. Their early work felt as if it was composed for a kid’s show, but last year’s Happy teased a more mature (and satisfying) transformation. New single Cherry Blossom continues that transformation, but in a disappointingly drowsy way. These soft songs about … Continue reading
Be Boys made their debut last year with the well-intentioned, but somewhat clumsy, I’m So Sorry But I Love You. Though I didn’t love that song, I appreciated their bright, upbeat energy and certainly have room in my library for more music of this style. New single Slam Dunk continues the youthful verve but pulls … Continue reading
It’s been too long since we last heard from ifeye, especially given their status as rookies needing to get their name out there. Their summer single R U OK? was a slow-burn hit for me, growing more addictive as the season went on and building expectations for what they might return with on future comebacks. … Continue reading
Well… look who’s back! I (along with everyone else) assumed DXMON had faded into the K-pop ether. They haven’t released new material since 2024 and for a group of their stature that’s usually a tacit disbandment or at the very least an “indefinite hiatus.” However, today they’ve surprise released new single SSS (She’s Sweet & … Continue reading
A few weeks ago, TWS collaborated with American rapper 24kgoldn for the first release in the “essential; studio” series of promotional tracks. As TWS songs always do, the hooks grew on me the more I listened to it. Next up is agency seniors Seventeen — or more accurately, DK and Seungkwan, who debuted as a … Continue reading
The Bias List // K-Pop Reviews & Discussion 