A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Nothing on Ren’s debut mini album … Continue reading
My trajectory with ATEEZ has been a bit of a mystery. Back in 2019, I found them to be one of the most exciting acts in K-pop. But as the years have gone on, it’s been harder to retain the same level of excitement around their music. I’m not sure why this is. Their core … Continue reading
Twice’s first promoted sub-unit Misamo debuts not with a Korean release, but a J-pop song. This is a little surprising, especially since the mellow Marshmallow seems suited to Korean tastes. But when you realize who’s involved in this unit, the decision couldn’t be clearer. Misamo gives the group’s three Japanese members a chance to shine … Continue reading
LUN8 are Fantagio Entertainment’s first new group since Weki Meki in 2017, succeeding Astro as the agency’s second boy band. Astro’s debut year will always be a sterling example of a new group debuting with their own sound and musical perspective. LUN8 have a big legacy to live up to, and Wild Heart shows potential. … Continue reading
Though they’re not exactly the same, I like to think of Mrs. GREEN APPLE and Official HIGE DANdism as parallel artists. Both have seen an incredible rise in popularity over the past five years with a rock sound that embraces hearty melodies and cathartic energy. Both have powerful vocalists at their helm. And, both have … Continue reading
Like many groups from smaller agencies, DKB has diversified their audience by touring extensively overseas. Their smooth, hip-hop inspired sound holds big international appeal, but new single I Need Love takes them in a direction more suited to the dancefloor. There’s a great song packed in here, but the structure and production seem intent on … Continue reading
It seems I’m writing about a HYBE act or a HYBE-adjacent act every other day on this blog. The monolithic company has taken over K-pop and has its sights set on J-pop as well. The resulting music is of mixed quality, but HYBE’s ever-expanding roster of artists have all found success so far. Love them … Continue reading
Ren’s penchant for colorful, over-the-top pop music makes him the Nu’est member I was most excited about going solo. With any luck, he’d use 2021’s Rocket Rocket as a template and craft an entire album of big club bops. There’s a hole in the market for a male idol like that. Ready To Move targets … Continue reading
I’m doing mental somersaults to determine the connection between Suzy and HYBE’s upcoming series R U Next. I thought maybe she was the host or a mentor, but a quick Google search reveals nothing. I guess IU performed I-LAND‘s theme track without being part of the actual series, so there’s a precedent for super popular … Continue reading
Good old VAV! I haven’t written about them in nearly three years. It’s good to see the group back. Their discography has varied so much in sound, from the early funk-pop days to their latter experiments with darker moods. New single Designer brings the guys back to the Latin-inspired style they’d adopted in 2018-19. They … Continue reading
In a summer stuffed with second-gen comebacks, it seemed EXO might be left out of the rush. There’s been a ton of legal drama behind the scenes, potentially sidelining their planned return. But according to reports, we’ll be getting a new studio album after almost four years. Before its title track drops in a few … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Before SHINee make their long-awaited return at the end of the month, they have a gift for fans in the form of pre-release single The Feeling. This song was previously revealed as part of the group’s recent fanmeet and marks the first time we’re hearing all four members on a new Korean track since the … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I get why fromis_9 would want … Continue reading
Sexy Zone’s The Highlight was one of my favorite albums of 2022… in any genre. And, the group knows exactly what they’re doing with its follow-up — aptly titled “Chapter II.” They’ve revisited many of the successful sounds from last year to great success. After just one listen, I’ve already got multiple standouts. This approach … Continue reading
I’ve got lots of love for a big, dumb EDM chorus. Bonus points if the lyrics instruct you to jump or throw your hands in the air like you just don’t care. When attached to an excellent song, these hooks can transform from cliché to transcendent. I wish P1Harmony’s Jump was such a song. There … Continue reading
I so appreciate J-pop’s ability (and desire) to surprise. The market is vast and varied, and that means you’ll never really know what you’ll encounter from day to day. Yes, there are plenty of songs that conform to predictable trends, but there are also moments like Red:birthmark, where critical cynicism melts away and you’re left … Continue reading
I’ve listened to ENHYPEN’s newest album exactly one time — a far cry from playing Manifesto: Day 1 into the ground last summer. Apart from a few sparks of energy, the album is mostly composed of languid mid-tempos. Sacrifice (Eat Me Up) falls squarely into that category. It’s nearly a minute longer than title track Bite … Continue reading
The New Six (formerly TNX)’s era-spanning teasers for new single Kick It 4 Now have been very entertaining. Nostalgia is all the rave right now, and the guys did a great job recreating various pop music aesthetics from the 80’s and 90’s. The song follows suit, delivering a retro taste of new jack swing. I’ll … Continue reading
The Bias List // K-Pop Reviews & Discussion 