While they initially (pre) debuted with a promising pop/rock sound, rookie group POW’s music has become more subdued and forgettable since. They seem to have tons of promise, but the music just isn’t doing it for me. This regrettable trend continues with Being Tender (다정해지는 법) — a plonky mid-tempo that feels almost designed to … Continue reading
Since returning from the military, Wonho’s music seems targeted toward an international market with English-language lyrics and an overall trendy sound. For about two years from 2020 to 2022 he stood as one of the industry’s most reliable artists, releasing a string of bangers. I wish he’d return to that pattern. There’s something deflating about … Continue reading
Sometimes summer highlights emerge from the most unexpected places. Over the past few days, we’ve had a flurry of strong seasonal offerings from some of K-pop’s girl groups, but with My Summer Manual (나의 여름 설명서), the variety show spawned co-ed group JAESSBEE confidently throw their hat in the ring. They’ve got some major firepower … Continue reading
When it comes to K-idol bands, it takes a lot to capture my attention. I’d consider myself a fan of rock music, but it’s not what I flock to the Korean music scene for because I can get my rock fix pretty much anywhere. With that said, Catch The Young have had my attention since … Continue reading
In my corner of the world, the first few days of this summer have been mired in showers and a cool breeze, but in K-pop we’re witnessing the beginning of a battle between girl group summer tracks. From where I stand now, Hearts2Hearts’ Style has only grown in stature while I’m worried I might have … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. It’s summertime OST season, with TWS … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. ZEROBASEONE have been racking up OSTs … Continue reading
XODIAC are one of those under-the-radar groups who make far more comebacks than their limited notoriety might suggest. I’m always amazed that an agency like JACSO Entertainment has the funds to promote so often, but then again they’re based in China and financial endeavors in that part of the world are a mystery to me. … Continue reading
It’s been a year of changes for fromis_9. Not only did their contract expire with Pledis Entertainment but the group went through a reconfiguration upon signing with new label Asnd, reduced from nine to five members. “fromis_5” doesn’t have the same ring to it, so the girls have retained their name as a nod to … Continue reading
Since going their separate ways for solo promotions, no SHINee member has been as musically prolific as Onew. This isn’t what I would have expected based on past history, but he’s been churning out material with great consistency. Next up is summer single Confidence, pre-released ahead of this third full album next month. As you … Continue reading
The guys of 2PM have remained quite active as soloists even if they don’t often release group material these days. Some of their best work has emerged from solo albums, though it’s been awhile since a song has really connected with me. Jang Wooyoung’s Sexy Lady and R.O.S.E still hold great nostalgic memories, and even … Continue reading
Five years since their debut, CRAVITY are in a rebirth phase. They’ve changed leaders and teased their new album with images of the members emerging from giant eggs covered in amniotic fluid. Yes, you read that correctly. And yes, it’s kind of awesome in its sheer nerve. Rebirths in K-pop don’t always mean drastic shifts … Continue reading
P Nation’s first girl group Baby DONT Cry made their pre-debut last week with the predictable but pleasant Bet You’ll Regret It. Now, it’s time for them to unleash their title track. As with much of the promotion surrounding them so far, F Girl‘s provocative title is bound to raise eyebrows. The agency’s goal is … Continue reading
Newly-debuted co-ed group ALLDAY PROJECT released their single Famous a week ago to mixed reviews. Some loved its rhythmic, chorus-less approach while others found its sound dated and dull. I count myself in the latter group, though I’d gladly take a dozen Famous‘s over one Wicked. At some point, a large swath of K-pop’s output … Continue reading
As time has gone on, any enthusiasm I mustered around ENHYPEN’s recent title track Bad Desire (With or Without You) has fizzled. The music just feels so undeveloped, trussed up with overly dramatic visuals that only serve to highlight how threadbare the actual sound is. This extends to their newest album, which is getting a … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
The Bias List // K-Pop Reviews & Discussion 