As K-pop’s global popularity has increased, so has the use of samples from pop music history. A decade ago, the idea of sampling a Western pop song felt pretty rare, but there have been a number of recent hits built upon hooks from decades past. aespa’s pre-release Supernova samples Afrika Bambaataa’s 1982 classic Planet Rock, … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. tripleS’s first full album has a … Continue reading
We are now four tracks into ARTMS’s debut album and my song ratings remain fixed in the “7’s.” I’m beginning to suspect their sound may not be for me. New track Air is unlikely to overhaul that, but we’re getting a little closer! Air is underlined by a percolating beat with touches of brass and … Continue reading
For awhile, there was some question whether BTS members would enlist in the military, given the breadth of their achievements and the valuable soft power they’d developed for South Korea. The enlistments ended up happening, but the music still flows during their hiatus as RM becomes the latest to release “new” material without being able … Continue reading
Somehow, Charlie Puth has become a go-to K-pop collaborator. He romped around with BTS’s Jungkook in 2022 and now he’s coaxed Stray Kids out of their typical hard-hitting style to craft something slinkier and understated. I enjoyed most of Charlie Puth’s 2018 album Voicenotes, but he’s also written a fair amount of songs that are … Continue reading
Alongside their full group comeback Maestro, Seventeen’s specialized units are also releasing music videos for their new songs. First up is the hip-hop team with LALALI. I’ve become increasingly weary of song titles that are little more than a series of “la las,” but this sub-unit has delivered surprises before. LALALI makes boisterous use of … Continue reading
BTOB’s Yook Sungjae has found great success as an actor and variety star, but hasn’t been as active as a solo musician. He made his solo debut in 2020, weeks before his mandatory military enlistment. Four years later, he’s back with a new single album and title track Be Somebody. Sungjae has a powerful voice … Continue reading
I considered relegating &TEAM’s Samidare to my J-pop round-up on Sunday, but the group is notable enough to K-pop fans to warrant at least a mini-review. After all, they’re the guys who gave us last year’s double whammy of Firework and Dropkick — both of which were 2023 highlights. As far as HYBE boy groups … Continue reading
Gosh, remember UP10TION? Their peak era seems much further in the past than it actually is. The group delivered a bunch of bangers and will eternally be part of my summer playlist with the classic Tonight. While promoting in the group, Lee Dongyeol went by the name Xiao. Now, it’s finally time for him to … Continue reading
“Baekho and BIGONE” sounds like the name of a really inappropriate sitcom, but it’s actually a pairing of two distinct artists. On paper, this collaboration feels very unexpected. How does the slinky idol pop of an ex-Nu’est member meet the rambunctious rock of an indie startup? They’re not even from the same agency, so I’m … Continue reading
It feels like tripleS have been dropping releases every other month, but this is actually their first comeback as a full group. Apart from last years’ Assemble, everything else has been performed in sub-units. Girls Never Die brings together all twenty four (!) members. With that level of participation, you might expect the track to … Continue reading
It’s been awhile since we’ve heard from KARD’s BM. I haven’t written about his solo music since January 2022, but he’s back with a new track and a new collaborator. Nectar features Jay Park — a suitable sparring partner and likely inspiration for the future of BM’s work. Nectar feels equally indebted to both artists. … Continue reading
We’ve got another new boy group today with the debut of ASC2NT. They hale from Newways Company, an agency I hadn’t heard of until today, and include three members who participated in last year’s Peak Time. Love Me Do is not a cover of the famed Beatles classic. Instead, it’s the latest K-pop track to … Continue reading
A week ago, EXO’s Doh Kyung Soo (D.O.) pre-released the fluffy pop track Popcorn, hinting that his new album might have a more upbeat twist to it. Title track Mars fulfills that promise, transferring the gentle, coffeehouse appeal of his music to a sprightlier sound palette. Mars is still very much within the “easy listening” … Continue reading
There’s not a great deal of consistency across Solar’s new album. Placing a song like Colors right next to title track But I is crazy whiplash. You could say she’s painting with a variety of tones and stretching her wings, but it doesn’t make for a cohesive listen. I’ll let others decide for themselves how … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m a little baffled why I … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. K-pop’s early summer continues with the … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Until now, I don’t think I’d … Continue reading
The Bias List // K-Pop Reviews & Discussion 