(G)I-DLE’s music has gone through many transformations — most recently in the form of the polarizing, meme-ready Wife. Regardless of genre, their title tracks have become known for their catchphrases. Leader and composer Soyeon loves a concept, and nuance isn’t really her thing. Whether they’re a wife, a tomboy, a queen or a nude, the … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
I wasn’t going to write about VCHA because… well, they’re not K-pop. They’re produced by a K-pop agency, but this marks JYP Entertainment’s first attempt to create a strictly American girl group. From the start, I’ve felt apprehensive about this project — not because of the cross cultural interplay but because K-pop’s attempts at “going … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’ve been quite addicted to TWS’s … Continue reading
After a promising pre-debut single, rookie group POW’s subsequent songs didn’t hit me as hard. Their agency seems to be throwing many different sounds at the wall, which is always a tricky prospect when a group is first starting out. New single Valentine switches things up yet again, playing around with tempo and tone but … Continue reading
Kim Jaehwan continues to move away from the balladeer his early title tracks suggested. His albums have often dabbled in funk music, but it’s cool to see him embrace the genre on title tracks. New single Ponytail comes across as a natural follow-up to last year’s Lucky. This is a more reserved take on the … Continue reading
When we last saw CIX, they were mired in an angsty music video with surprisingly dark subject matter. Save Me, Kill Me‘s sound was a far cry from my favorite CIX track: 2021’s jubilant Cinema. New single Lovers Or Enemies splits the difference, melding edgier ideas to a funky synth palette. Though the song is … Continue reading
We’ve reached the end of ATEEZ’s sub-unit/solo music video releases with Jongho’s Everything. Out of all the members, I’m most curious to hear what Jongho can do on his own. As the group’s main vocal, he’s in charge of the stirring power notes that help make their music so dramatic. In a perfect world, Everything … Continue reading
It’s been nearly three years since IU released an album, but comeback season is upon us once again in 2024. This kicks off with pre-release ballad Love Wins All. The song’s video has already received buzz thanks to the participation of BTS’s V. But taken on its own, Love Wins All is the kind of … Continue reading
New WJSN music may be a distant memory, but today marks the solo debut of one of its members. Seola has been involved with many sub-unit projects and recorded a couple OSTs on her own. She’s also done a lot of acting, raising her profile. A solo career in music makes sense and with any … Continue reading
Super Junior-L.S.S. made their debut last summer with the fun Close The Shutter. They’re the sixth Super Junior sub-unit, consisting of members Leeteuk, Shindong and Siwon. Beyond the unique configuration of members, I’m not sure if L.S.S. have a specific musical goal different from Super Junior itself, but thus far their songs have veered toward … Continue reading
Up to this point, I’ve found AB6IX’s (surprisingly large) discography quite workmanlike. Their music is often good, but always on the generic side without much in the way of unique personality or perspective. It doesn’t help that they flit between genres very often, meaning you never know what you’ll get when a new comeback rolls … Continue reading
While fellow Boys Planet alum ZEROBASEONE opted for a lighter sound, EVNNE debuted with the edgier beats of Trouble. That song didn’t do much for me, though I appreciated its energy. Ugly faces a similar dilemma. Its thumping beat is incredibly addictive, but the composers have neglected to form much of a song around it. … Continue reading
January has already been stuffed with debuts, but TWS are surely the most hyped of all. They’re Pledis Entertainment’s first new boy group since Seventeen, buoyed by a similar brightness they’re calling “boyhood pop.” Pre-release Oh Mymy: 7s was a promising taste of this sound, though it was undercut by a threadbare chorus. Debut single … Continue reading
It’s become more common than not for marquee K-pop acts to pre-release material before unveiling their title track. At best, this allows for more left-field songs to gain attention, broadening the sound and texture of an artist’s discography. At worst, it waters down the power of a flawless, all-killer-no-filler singles run. Wife will be the … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I seemed to be less enthralled … Continue reading
English-language songs and Western artist collaborations are commonplace in today’s K-pop market, but this feels like one of the industry’s more random products. IVE have teamed up with American rapper Saweetie for a cover of Swedish duo Icona Pop’s 2013 hit All Night. Here’s the thing… I would love if K-pop’s girl groups started making … Continue reading
The Bias List // K-Pop Reviews & Discussion 