The Boys II Planet series continues to spawn new acts and today we have the debut of duo FLARE U. This team consists of Chuei Li Yu and Kang Woo Jin, both under FNC Entertainment. It’ll be interesting to see if this becomes a longtime configuration or if the agency will eventually try to fold … Continue reading
Whether he’s with the group or not, Park Jinyoung’s always going to have that “GOT7” tag next to his name so that we don’t mistake him for JYP founder Park Jinyoung. I know it’s a common name, but I still think it’s amazing that there were two of them in the same agency! This Park … Continue reading
Weeks after labelmates DXMON made a surprise return, H Music Entertainment’s “get our artists out of the dungeon” series continues with a new song from girl group WOOAH. The group rebranded in 2024 but haven’t released anything since then. The rock-tinged WXW (Wish With W) tries its best to get things back on track. I … Continue reading
A&R teams are the unsung powerhouses of K-pop and in my mind Woollim Entertainment had the best, most consistent ear for picking great songs. That’s one of the reasons it’s been so depressing to watch the agency fold into obscurity. I’m still not certain they’re equipped to make a full comeback, but today we’ve got … Continue reading
Since their debut in 2022, YOUNITE has been one of those groups with little consistency across their discography. I’ll love a song, then I’ll hate a song, then I’ll love a song again. But when they hit the mark, their music can be fantastic. Fortunately, we’re in one of those eras today with new single … Continue reading
Amidst the hottest artists of the moment making comebacks today, we have a K-pop veteran in the mix. Rain hasn’t released new material in awhile, but his name still carries weight within the industry. He’s even been able to rack up a viral hit every now and then, though it’s been some years since his … Continue reading
Fresh out of the military, NCT’s Taeyong is gearing up for the release of his new album next week. He’s one to offer many different pre and post releases, filming content for a number of tracks. Storm gets a “classy performance video” today, meaning it gets a truncated review on this blog as well. I’m … Continue reading
Rookie group LNGSHOT have been making a name for themselves this year, with many anticipating their first comeback. There’s a certain sliver of the K-pop landscape that seems to reject classic idol tropes in favor of acts who feel a bit more rough around the edges. This usually means adopting hip-hop posturing as a show … Continue reading
I was pretty harsh on Cortis’s debut-era music, but the truth is most of those songs have grown on me. I wouldn’t go out of my way to listen to them, but I understand the overall appeal. And with last month’s REDRED, the group tiptoed into a sound that could prove quite unique and compelling, … Continue reading
Some songs are instant hits while others take time to fully reveal their charms. Neither approach is better than the other as long as a song enjoys longevity, but the latter category is more difficult to write about on this blog. For whatever reason, almost all of NMIXX’s songs have been slow-burn successes rather than … Continue reading
There was a time when a collaboration between artists like aespa and G-Dragon would have seemed almost unthinkable. SM and YG were the biggest rivals in K-pop, after all. However, G-Dragon’s not part of YG anymore and SM is a shell of what it used to be now that so much more competition floods the … Continue reading
After three years, BOYNEXTDOOR are finally set to release their first full album next month. This usually means extra promotions including a pre-release or follow-up. Without much teasing at all, the group has dropped ddok ddok ddok (똑똑똑) as a taste of what’s to come. Fans will know the significance of this title given the … Continue reading
JYP boy group NEXZ are on the ascendance, and it feels good to write that. Though I enjoyed watching the group form on season two of Nizi Project, it took until last year’s Beat-Boxer for the music to fully win me over. That feeling extended to last month’s excellent title track Mmchk (one of the … Continue reading
Debuting boy group YUHZ come to us from survival series B:MY BOYZ. Like many new series-spawned groups, their contract is slightly longer (five years), which hopefully gives their agency motivation to promote them with longevity in mind. A song like Rush Rush could be considered low-hanging fruit for me. Even at its worst, a bright, … Continue reading
Girl group KIIRAS made a promising comeback last year with Bang Bang, which showcased their vocal talent. They’ve now returned with another two-syllable title in Ta Ta, but this song finds them in different musical territory. We still hear a few moments of vocal drama, but the bulk of the track is built around rhythmic, … Continue reading
After an extended group hiatus, Billlie are returning in a big way with their first full album. They teased us last week with the dancefloor-ready Work, which turned out to be a sonic marker that title track ZAP continues on from. This is a pricklier beast of a song, but still firmly targets the clubs. … Continue reading
I’m back with K-pop’s wonderfully silly acronyms. Debuting boy group NAZE’s name apparently stands for “New Adventure’s Zestyfull Echo,” which sounds delightfully stupid in a way that’s almost impossible to believe is true. They’re managed by C9 Entertainment, who have previously fumbled the ball with groups like CIX, Cignature and Good Day. With that in … Continue reading
The whole Cortis experience didn’t leave a good taste in my mouth last year, but like so many others I’ve become a bit obsessed with new single REDRED. It’s amazing what a great dance beat can do. But more than that, REDRED feels quintessentially new rather than simply a retreat of western rap tropes. This … Continue reading
BABYMONSTER’s new era opens in earnest today, with lead single CHOOM the first volley of continued promotion over the next month or two. Unlike past efforts, this song was barely teased before the full thing dropped, which always makes me a bit nervous. If you’ve got a killer track, you’d usually want people to know … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Lucy’s new album is a bit … Continue reading
The Bias List // K-Pop Reviews & Discussion 