When the credits for Jin’s new album were unveiled, my eyes immediately fell upon one name: Gary Barlow. I would have never expected to see the British Take That member’s credit on a K-pop release. Barlow has written a fair amount of fantastic music, but his taste also tends to be a bit milquetoast. Of … Continue reading
Though I haven’t often loved Bibi’s music the way others do, she was a fantastic addition to this year’s KCON LA and offered a contrasting style to many of the festival’s idol acts. She’s also a bundle of charisma, able to captivate with simply a whisper or sigh. New single Derre (데레) capitalizes on this … Continue reading
When last we heard from Primrose, they teased us with a Nordic title and imagery only to deliver the same cacophonous stomp favored by many of their peers. Freyja was a letdown, for sure. However, they’re back with yet another new sound. Steal Heart is a far funkier effort that puts great focus on their … Continue reading
After LOONA dissolved and re-formed as acts like Loossemble and ARTMS, Yves made her solo debut earlier this year. The stylish Loop offered plenty of potential but succumbed to so-so songwriting that failed to leave much of a mark. Now, she’s back with the Viola and she’s brought the beat with her. As soon as Viola … Continue reading
I had a dream last night that I went back to listen to ILLIT’s Cherish (My Love) and there was this whole new layer of production on its instrumental I’d never noticed before — including a prominent violin solo. During the dream, I wondered why I hadn’t loved the song on first listen. Upon waking … Continue reading
Stray Kids released two songs from their upcoming album last month, but neither of these was promoted with a music video. Title track Giant arrives as the album’s first big push right as the full project is unveiled. Fans of the group’s more disruptive side will find plenty to enjoy, as the song rumbles with … Continue reading
I adored Lovelyz while they were active, but I don’t think I fully appreciated them until their style of lush, melodic girl group pop fell out of favor. Nowadays, there simply isn’t a K-pop group like them. The industry’s musical focus has changed so completely, leaving their discography as an enticing time capsule. Today, it’s … Continue reading
Album repackages are common in K-pop, but it’s been four months since the original release of ENHYPEN’s latest album, making this revisit feel more like a brand new comeback. No Doubt continues the laidback vibe of its predecessor XO (Only If You Say Yes), upping the tempo a bit but refusing to break free of … Continue reading
Last week, NCT Dream unveiled pre-release Flying Kiss, which was… half a good song. Its verses and chorus existed on a different plane from one another, but its best moments offered a peek at what we might hear on the group’s full album. Title track When I’m With You never hits the heights of Flying … Continue reading
I’ll rave about Ryugujo to anyone who will listen. Their Deep Wave EP earlier this year is among the most exciting pieces of music released in 2024 and I have similar hopes for their first full album later this month. Lead track Urashima is more ‘statement of intent’ than full song, making it a curious … Continue reading
Pre-releases have become incredibly common this year in K-pop — particularly from the big agencies. NCT Dream’s album isn’t out quite yet, but they’ve surprised us with new track Flying Kiss during the lead-up to promotions. The song showcases the lighter side of the group, offering a soft burst of pop buoyed by a standout … Continue reading
XG are back with their second mini album, building on the success of earlier 2024 singles Something Ain’t Right and IYKYK. Those two songs touched on the dancier side of their music, so it makes sense that Howling would move back into hip-hop. These seem to be XG’s two musical modes, with a healthy dose … Continue reading
IVE had a rough English-language debut earlier this year with an overly artificial cover of Icona Pop’s 2013 hit All Night. Mixing issues and heavy-handed vocals effects marred that effort, so it makes sense the group would team up with an established producer who could iron out some of those issues. They picked a good … Continue reading
I’ve been writing about a different GFriend song every day for the past few weeks (and will continue to do so until I’ve run through their whole discography), so it’s fun when my daily GFriend feature converges with a new single by the group’s spin-off act VIVIZ. Their title track Maniac from one year ago … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TVXQ just released their best song … Continue reading
NCT’s Doyoung debuted as a soloist earlier this year with a full album. Now, he’s capping off 2024 with the release of new digital single The Story (시리도록 눈부신). Rather than reinvent the wheel, the song sounds like an extension of his previous work, drawing upon his rich vocal for an uplifting ballad. The Story … Continue reading
I’ll confess this right at the top: despite enjoying Yesung quite a bit as a performer, I nearly didn’t listen to this new solo track at all. My bias (and his musical history) had me expecting a specific type of ballad that just isn’t my thing. I very rarely have much to write about these … Continue reading
I feel like I must open every new DAY6-related review by mentioning just how well the group has done this year. It’s insane to see so many of their singles running up the charts — both old and new. Korea is clearly in love with their sound, more than any other time in the past … Continue reading
Boy group EPEX have taken the unusual route of releasing two full-length albums this year. And when we add new title track Universe to the list, the guys will have promoted a total of five (!) songs with music videos in 2024. That’s quite prolific. Not all the material has been equally great, but this … Continue reading
Today, Minho becomes the final SHINee member to release a full studio album. New material from SHINee is always something to cheer about, but in the past Minho’s work hasn’t often been targeted to my taste. He tends to prefer more downbeat, vibes-driven material. New single Call Back adds a driving beat, but its tone … Continue reading
The Bias List // K-Pop Reviews & Discussion 