Good old VAV! I haven’t written about them in nearly three years. It’s good to see the group back. Their discography has varied so much in sound, from the early funk-pop days to their latter experiments with darker moods. New single Designer brings the guys back to the Latin-inspired style they’d adopted in 2018-19. They … Continue reading
In a summer stuffed with second-gen comebacks, it seemed EXO might be left out of the rush. There’s been a ton of legal drama behind the scenes, potentially sidelining their planned return. But according to reports, we’ll be getting a new studio album after almost four years. Before its title track drops in a few … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Before SHINee make their long-awaited return at the end of the month, they have a gift for fans in the form of pre-release single The Feeling. This song was previously revealed as part of the group’s recent fanmeet and marks the first time we’re hearing all four members on a new Korean track since the … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I get why fromis_9 would want … Continue reading
Sexy Zone’s The Highlight was one of my favorite albums of 2022… in any genre. And, the group knows exactly what they’re doing with its follow-up — aptly titled “Chapter II.” They’ve revisited many of the successful sounds from last year to great success. After just one listen, I’ve already got multiple standouts. This approach … Continue reading
I’ve got lots of love for a big, dumb EDM chorus. Bonus points if the lyrics instruct you to jump or throw your hands in the air like you just don’t care. When attached to an excellent song, these hooks can transform from cliché to transcendent. I wish P1Harmony’s Jump was such a song. There … Continue reading
I so appreciate J-pop’s ability (and desire) to surprise. The market is vast and varied, and that means you’ll never really know what you’ll encounter from day to day. Yes, there are plenty of songs that conform to predictable trends, but there are also moments like Red:birthmark, where critical cynicism melts away and you’re left … Continue reading
I’ve listened to ENHYPEN’s newest album exactly one time — a far cry from playing Manifesto: Day 1 into the ground last summer. Apart from a few sparks of energy, the album is mostly composed of languid mid-tempos. Sacrifice (Eat Me Up) falls squarely into that category. It’s nearly a minute longer than title track Bite … Continue reading
The New Six (formerly TNX)’s era-spanning teasers for new single Kick It 4 Now have been very entertaining. Nostalgia is all the rave right now, and the guys did a great job recreating various pop music aesthetics from the 80’s and 90’s. The song follows suit, delivering a retro taste of new jack swing. I’ll … Continue reading
I wasn’t sure whether Die For Love should be categorized as a “song review” or a “buried treasure.” It has no music video, but it’s listed as one of the title tracks from B.I’s newest album. Whatever you want to call it, this is one of the strongest K-pop songs I’ve heard in awhile. I … Continue reading
Look, K-pop producers… all I want is a great song that stays great all the way through. Is that too much to ask? The teasers for Xodiac’s Special Love seemed to promise bubbly, synth-kissed energy. Its exuberant chorus definitely delivers, but if the entire track had followed suit we might have a Sweetune-esque pop banger … Continue reading
NCT’s Taeyong has released solo work before, but today marks the debut of his first solo album. I’m surprised more NCT members haven’t promoted as soloists. After all, there are so many guys to choose from! To be honest, I didn’t have high hopes for Shalala (샤랄라). Taeyong’s moments in NCT’s tracks tend to drive … Continue reading
fromis_9’s comebacks tend to hang around the mid 8’s on this blog, which isn’t a bad place to be. Their music rarely knocks my socks off, but they’ve developed a stable sound that can be counted on to deliver sleek, streamlined pop. New single #menow adds to this list, neither better nor worse than most … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Sakurazaka46 has their “aggrieved protagonist vents frustration through combative dance routines” format down pat, and its sense of empowerment feels more genuine than much of what passes as empowering in pop music. If you’re looking for catharsis in the form of a song, this is the group for you. Start Over is an absolute beast, … Continue reading
Last time MCND made a comeback, they pre-released a track that turned out to be even stronger than the actual single. I’m not sure if Pop Star portends an eventual comeback, but it’s always nice to hear from the group. If you liked BOYNEXTDOOR’s recent trio of tracks, Pop Star should work for you too. … Continue reading
There are times when you admire something even if you don’t necessarily like it. Stray Kids’ new single S-Class (특) has those qualities. I admire its chutzpah, and I admire the group’s willingness to experiment with sound and structure. This seems to be their answer to JYP Entertainment’s “mixx-pop” endeavor — basically cramming an entire … Continue reading
Wow, it’s been a loooong time since I’ve written about a new single from Zhoumi. He picked a hell of a day to make a long-awaited comeback with SM Entertainment! I can’t help but feel bad for the guy. New single Mañana pairs him with Super Junior’s Eunhyuk, a member he used to work with … Continue reading
The Bias List // K-Pop Reviews & Discussion 