One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! On The Snow (from Sing For You – 2015) On The Snow is an amiable little fellow, groovy and enjoyable in the moment but pretty forgettable thereafter. Its warm, brassy chorus contains plenty of good cheer for the holidays, incorporating sleigh bells … Continue reading
Over the course of their two-year career, Seven O’Clock’s music has been nearly as faceless as their group name. That’s not to say it’s all been bad. Their 2018 mini album was actually quite strong, with double title tracks that both deserved more hype than they received. But, the group suffers from an under-the-radar stature … Continue reading
Since their debut last year, Nature have gone on to develop a quirky, off-kilter sound that sets them apart from other rookie groups. Fans seem to be taking notice, bringing us to the release of their first mini album. Their last comeback I’m So Pretty was an unexpected highlight of the summer, harnessing the power … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Oasis (from Don’t Mess Up My Tempo / Love Shot – 2018) Oasis’s opening line is arresting, emerging with a palpable tenseness as if the melody had finally caught up to you after a long pursuit. From here, trap influences form a … Continue reading
It’s that time of year again! Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2019 went. First up is SM Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! My Turn To Cry (from Miracles In December – 2013) My Turn To Cry is tangentially related to the holidays by nature of the album it stems from, but at its heart the song is a typical EXO ballad, riding on sentiment … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m still not overly hyped about Victon’s comeback track, but the … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! My Lady (from XOXO / Growl – 2013) Closing out EXO’s first full-length album, My Lady offers a bluesy slab of r&b groove. The tempo is always faster than I expect for a song like this, especially as the two-part chorus picks … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! My Answer (from Exodus / Love Me Right – 2015) My Answer is as classic a pop ballad as you’re going to get from EXO. Performed by Baekhyun, D.O. and Suho, the track offers plenty of space to stretch their vocals. With … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Gosh, K-pop’s delivered a lot of Run Aways this year, hasn’t … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Moonlight (from Overdose – 2014) Drawing on EXO’s smooth vocals, this moody mid-tempo encapsulates a sound that the group has mastered. The harmonic arrangement is incredibly lush and the soundscape is otherworldly. Everything feels drenched in reverb, giving the track a wet, … Continue reading
With Tattoo, The Boyz have made an odd move. The song is targeted at the Japanese market, yet 99% of it is performed in the Korean language. I’m not complaining – especially since I think pop music is best when delivered in its native tongue – but this is a mystifying approach, and one I … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Miracles In December (from Miracles In December – 2013) I often use the word “sentiment” as a criticism — the last refuge of a song devoid of interesting melody or production work. But, sentiment can be a powerful thing, and often breathes … Continue reading
Rookies 1TEAM have earned fans across the K-pop landscape, but for me they’ve been hampered by their choice of collaborators. All three of their 2019 title tracks have been composed by production team Devine Channel. While there are some songwriters that I naturally jibe with (ahem… Sweetune), I can’t get into most of Devine Channel’s … Continue reading
During what I shall now call “K-pop’s Bummer Summer of 2019,” Dongkiz’s BlockBuster was a welcome respite from the self-serious, downbeat r&b that seemed to clog the season. In hindsight, the song hasn’t held up quite as strongly as I would have thought, but it’s still an enjoyable bit of goofy fun. Then came the … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Mama (from Mama – 2012) It would not be an overstatement to say that Mama was the song that cemented my love for K-pop. I’d dabbled with idol fare before, but this song’s bombastic mixture of Gregorian chants, heavy metal dance breaks … Continue reading
2019 has seen more idol group debuts than any year I can remember, making it difficult for new acts to stand out. BVNDIT have managed to find a burgeoning fan-base despite a sound that isn’t particularly unique. The girls have worked with top-tier songwriters like MosPick and Flow Blow, but their style has remained generically … Continue reading
When E’Dawn left Pentagon and Cube Entertainment, it seemed like a career-killer for both him and his former band. At the time, he was arguably Pentagon’s most well-known member, yet not established enough with the general public to ensure solo success. But soon after, PSY scooped up both him and HyunA as artists under his … Continue reading
The Bias List // K-Pop Reviews & Discussion 