At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
While it was easy to pigeonhole Young Posse as a joke when they first emerged, last year’s g-funk nodding Ate That found the perfect balance between funny and awesome. There’s a huge gap in the market for colorful hip-hop that doesn’t take itself too seriously, and Young Posse feel uniquely equipped to fill it. Because … Continue reading
EXO-SC’s 2019 debut spurred plenty of ire from this site. To me, it represented SM Entertainment’s full embrace of mainstream hip-hop. The agency who reliably delivered summer classics like Red Flavor, View and Love Me Right would now equate the season with lethargic trap-rap. It remains to be seen if that prediction will completely bear … Continue reading
Since parting ways with Cube Entertainment and establishing their own agency, the individual members of Highlight have been quite prolific. Sometimes this has been in the form of mini albums, or — in rapper/composer Junhyung’s case — digital and single releases. His solo work has dropped without much build-up or promotion, as if he’s simply … Continue reading
Since SM Station’s inception, some of its biggest beneficiaries have been the guys of EXO. The project has often paired the members with unlikely collaborators or simply let them go solo, but many of the resulting tracks have ended up to be quite boring. I understand the desire to break EXO out of the glossy … Continue reading
The Bias List // K-Pop Reviews & Discussion 