Girl group AOA have quickly risen to the top of the kpop world, due largely to the amazing material producer Brave Brothers has given them. Good Luck marks a turning point, with a shift in both sound and songwriting team. And while the song more or less maintains AOA’s quality musical output, I can’t help but wish for a … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
Before making their inevitable Korean comeback, AOA have released their second original Japanese single with Give Me The Love. I liked their first one well enough, but it had absolutely no staying power on my playlist. Give Me The Love seems to be the exact opposite. I was initially underwhelmed, but now find myself… well… … Continue reading
What’s with these AOA subunits and solos having such cringeworthy titles? I mean, I know it’s an English translation, but first we have “I’m Jelly, Baby” and now “Call You Bae.” Talk about appropriating the worst of western slang! Still, Jimin’s last solo track was called Puss (!), so I guess I should have tempered … Continue reading
As a sub-unit of girl group AOA, AOA Cream is composed of members Chanmi, Hyejeong and Yuna, none of which have received a huge spotlight in the past. I don’t believe for a second that the trio’s suggestive name was an accident. AOA’s ridden the sexy concept to great success, but they’ve had a series of very … Continue reading
Okay, okay. When I say kpop, I mean mostly kpop, because there’s going to be some jpop and cpop in this list as well (some of it in very prominent positions), but “Top 50 K-Pop & J-Pop & C-Pop Songs of 2015” just doesn’t have the same ring to it! The only other criteria for … Continue reading
The annual Gayo Daejuns are one of my favorite times of the year for kpop. A combo of song festival and awards ceremony/gala, they round out December nicely by offering dozens of performances from the biggest artists of the year, often in remixed or reinterpreted versions. They’re reliable for providing some of the biggest and best … Continue reading
The Bias List // K-Pop Reviews & Discussion 