At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2019 Overall Thoughts Last year, January bucked expectations and became my favorite musical month of … Continue reading
Apink have never been out of the spotlight for long in Korea, but they enjoyed an unexpected bump last summer with the ear-catching I’m So Sick. Heading in an edgier dance direction turned out to be a boon for the girls, so it’s no surprise that new single %% (응응) once again enlists production team Black … Continue reading
MBC brings us the last end-of-year festival of 2018, and K-pop’s final music show before the new year. Even when it’s not the best of the three gayos, I’ve always enjoyed MBC’s format. It has a more intimate feel to it, with the audience close to the performances and fellow idols looking on in the … Continue reading
In the battle of the end-of-year music shows, KBS’s Gayo Daechukje has always felt like the forgotten middle child. SBS boasts the bigger stage and MBC is bolstered by a longer list of performers and the added excitement of New Year’s. In contrast, KBS’s special often feels more like a typical weekly music show. Last … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The idea of a “healing song” must seem especially attractive in a culture like Seoul’s, which values the kind of non-stop work ethic that has resulted in massive technological advancement over a comparatively short period of time. Music can certainly be healing — but like everything, “healing” is subjective. The idea of a calming, barely-above-a-whisper … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Collapsedone Years … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2018 Overall Thoughts I’ve always seen the month of July as the pinnacle of each … Continue reading
Over the past few years, Apink have stuck to a very familiar pop sound. For many, it felt like the group was simply spinning their wheels rather than expand expectations of what an Apink single could be. While this tried and true formula resulted in a steady level of success, the girls ran the risk … Continue reading
Though the Bias List focuses almost exclusively on k-pop, many Korean artists make a foray into Japan as well. Those releases deserve their own countdown, paired with a number of their Japanese counterparts. Huge disclaimer with this countdown. I am a k-pop blogger, first and foremost. My j-pop exposure is limited, and tends to be … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2017 Overall Thoughts July is always the month I look most forward to when it comes … Continue reading
Apink have been pretty prolific lately, routinely bouncing between Korean and Japanese comebacks. While I’m afraid this heavy work ethic has taken a toll on the general quality of their music, it’s nice to see a veteran group that still seems hungry for success. Their latest Korean song has grown on me, though there’s no … Continue reading
While girl group Apink‘s first few years marked them as a reliably strong purveyor of sugary-sweet pop music, their last few releases have been mired in the same “been there, done that” feeling of repetition. They’re not a group that has ever pushed many boundaries musically or image-wise, but it may be time for a … Continue reading
This time last year I was writing about Apink’s 2016 fan appreciation song, which managed to be a pretty solid representation of a sub-genre that’s severely limited in scope and creativity. There’s just not a lot you can do with this style of release. Always was never going to be edgy or inventive. Its production … Continue reading
Though I try to remain relatively objective when writing about music on this site, if I were to pick one specific sub-genre of k-pop as my least favorite, it would be the mid-tempo, acoustic coffeehouse sound that seems so pervasive this time of year in Korea. The fact that the solo career of Apink‘s Eunji … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. KIM TAE … Continue reading
Apink have been releasing material in Japan since 2014, but have thus far found more success with covers of their Korean hits than entirely original songs. Within this context, new single Bye Bye makes a lot of sense. Though it is an original track for the j-pop market, the song touches on elements of the … Continue reading
The Bias List is a k-pop site first and foremost, but I’m always on the lookout for new j-pop as well. And though I can count myself as somewhat of an authority on Korean entertainment and idol groups, my knowledge of their Japanese counterparts is much more limited. Add to that the fact that j-pop … Continue reading
An idol group is nothing without their actual music, and that music doesn’t come to life on its own. K-pop producers and composers shape a year’s sound more than anybody else, and in 2016 there were five that stood out as being particularly energizing. + Make sure to check out the rest of the year-end … Continue reading
Apink have come to the stage in their career where they can release anything and it will become, at the very least, a moderate hit. I’m sure this is the goal for any idol group, but it presents its own challenges as well. So often, veteran groups (both k-pop and otherwise) fall into the trap … Continue reading
The Bias List // K-Pop Reviews & Discussion 