At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
A BLACKPINK comeback still feels like a big event in K-pop. Not only do they release music infrequently, but that music tends to have a uniquely global appeal that makes it a hit all around the world. Despite some initial hesitations, I warmed to last year’s Jump quite a bit and it became one of … Continue reading
Just like last year, I wanted to share my top twenty most-viewed posts for 2025. I find this list an interesting gauge of which acts are popular or buzzy at the moment (at least among netizens who read reviews). There aren’t many surprises, here. The list is dominated by a couple of the most popular … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
I hate to be cynical, but collaborations between K-pop stars and Western artists rarely work. Western pop tropes almost always take precedence, smoothing out K-pop edges until we’re left with very middle-of-the-road material. For her first solo album, BLACKPINK’s Jisoo went down a dance pop route, but all of that promise is shaved away on … Continue reading
Technically, there are still a few weeks left of summer in my area, but with days getting shorter and back-to-school looming around the corner, we’re quickly transitioning to fall. With that in mind, I thought it would be fun to look back at the past few months and determine my ultimate 2025 summer playlist. I … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
K-pop album promotion cycles are usually short, and as norms have changed in the Western pop market that brevity has become the case here as well. Artists often release several songs leading up to an album but rarely promote any new singles beyond that. With Dream, BLACKPINK’s Lisa has plucked a track from her February … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2025 Overall Thoughts In the context of this year, the past two months have been … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Over the past few months, the members of BLACKPINK have blitzed the market with a variety of solo work, making greater inroads to international markets than ever before. However, it’s been a whopping thirty four months since their last group title track. In K-pop’s fast-moving ecosystem, that’s enough time for a literal change in generations. … Continue reading
There have been a number of think pieces about how Billboard’s Hot 100 chart has become whiter, more male and more Christian this year. It’s a troubling development for anyone who fears baby steps toward theocracy as I do, and the chokehold Alex Warren’s Ordinary has had on the charts is one of this movement’s … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Lisa’s Alter Ego album has utilized a Western pop promotional roll-out, spawning new singles/music videos long after its release. Next Up is When I’m With You, a duet with South African singer Tyla. This feels like a natural pairing: two extremely charismatic artists “maximizing their joint slay,” as they say. Such a big collaboration deserves … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
The upcoming soundtrack to F1® The Movie (which is completely outside my wheelhouse – pun intended) promises to be a star-studded affair. And in 2025, that means a bit of K-pop representation — even if it’s tangential. Rosé has certainly leapfrogged over the classification of “K-pop,” and songs like Messy push her further into the … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
The Bias List // K-Pop Reviews & Discussion 