Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! April … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
This is always one of my favorite end-of-year posts, as if gives me the chance to write about a vital facet of K-pop that I rarely touch on throughout the year. Visuals can make or break a song’s legacy, and these ten videos helped to improve and expand their already-strong soundtracks. + Make sure to … Continue reading
It was the best of times, it was the worst of times. This phrase seems fitting to describe K-pop in 2019. The industry was forced to deal with some hard truths this year, and the reckoning was a long time coming. However, that didn’t make it any less messy. For the past few years, I’ve … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2019 Overall Thoughts Well, friends, we have finally climbed out of the murk! October was … Continue reading
I think I may have been underrating this Lim Hyunsik guy. I never covered his 2017 solo track Swimming, and I kind of want to time travel and give “past me” a slap in the face. BTOB are a group flush with talented vocalists, as well as big personalities. Hyunsik is chief among the group’s … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
It’s time to flash back seven years to 2012, an era of huge choruses, thumping dance beats and an endless supply of sci-fi influenced music videos. 2012’s charms were endless, but here are fifty of the absolute best singles. To be eligible for this top fifty list, songs must have had a Korean release as … Continue reading
In a preview of what will soon be facing all second generation boy groups, BTOB is rapidly decreasing in number as their members begin their mandatory military enlistment. It’s become common for artists to release a song or album prior to enlisting, and serves as a nice gesture towards their fans. It’s hard to fault what’s … Continue reading
In the battle of the end-of-year music shows, KBS’s Gayo Daechukje has always felt like the forgotten middle child. SBS boasts the bigger stage and MBC is bolstered by a longer list of performers and the added excitement of New Year’s. In contrast, KBS’s special often feels more like a typical weekly music show. Last … Continue reading
The season of ballads continues to roll on, and it’s the perfect time of year for BTOB’s Lee Changsub to release his debut mini album. As expected, it’s a down tempo affair. But like Infinite’s Sungkyu, he’s gone for a rock-tinged sound that helps differentiate his own music from that of his group’s. Given this … Continue reading
In a sea change year for us older K-pop fans, BTOB are one of many established boy groups whose configuration has changed due to members beginning their mandatory military enlistment. Beautiful Pain (아름답고도 아프구나) is their first single as a six-member act, minus leader Eunkwang. Minhyuk is the next member scheduled for enlistment, at which … Continue reading
When I think of the artists I would have pegged to go the tropical route, Lee Hongki wouldn’t have even entered the conversation. As the front man of rock band FTIsland, his raspy, powerful voice seems too intense for the style, easily becoming the focal point of anything he records. But as last week’s oddball … Continue reading
By their very nature, ballads are difficult to write at length about. The vast majority follow a similar template, with a greater focus on performance and sentiment than novel production touches. But, when a ballad hits, it hits big. This was the case for BTOB’s late-career breakout It’s Okay, which reinvented them as a compelling … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Ferdy Years … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Back in k-pop’s second generation (approximately 2003-2011), agency collaboration albums were … Continue reading
Ever since their 2015 commercial resurgence with cathartic ballad It’s Okay, BTOB have fallen into a pattern of increasingly toothless pop music. They’ve never been more successful than they are now, so it’s hard to fault them from sticking to a winning formula, but I fear that any bit of edge has been completely ironed out … Continue reading
Since last summer’s Produce 101 ended, Kim Samuel has hit the ground running. In less than a year, he’s delivered three albums (one full, two mini) and a Japanese debut. That’s pretty prolific for a sixteen-year-old soloist. And though his work has never gone beyond the confines of what we might consider “teen pop,” each … Continue reading
I’ll admit that it’s completely unfair, but whenever we get a solo project from the rapper of an idol group, I instantly compare it to G-Dragon. In many ways, GD invented this particular role, and popularized it internationally by way of his immense charisma and genre-blurring execution. Perhaps BTOB’s Jung Ilhoon has noted this as … Continue reading
