EPEX’s discography has been a real mixed bag so far. They’ve released a few solid tracks (2024 was a solid year for them), but more often their music has either been too generic or actively off-putting. New single Echo fits squarely within the first category. It’s a song that could have come from just about … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Last week, EPEX teased their new album with pre-release Picasso — a track so confrontational and unpleasant that it seemed to put a curse on the entire industry. Seriously, every new song released in its wake has struggled to reach the high quality of July’s first half! Now, the group is grateful for our collective … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
EPEX are ready to drop their third (!) full album next week, but before that they’ve returned with pre-release Picasso (피카소). EPEX aside, July has been a pretty strong month for K-pop so far. Sure, there haven’t been a ton of awesome 9+ rated tracks, but there haven’t been many outright clunkers either. I mention … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Collaborations between K-pop acts and western artists are nothing new, but occasionally a track will be released and I’ll have no idea who the western artist is. American duo Joan are new to me, and I’d consider myself very in-the-know when it comes to global pop music. This makes me wonder how exactly EPEX’s agency … Continue reading
Now that I’ve taken a look at the new acts that dominated 2024, it’s time to focus on their established counterparts. Though my favorite group of the year was a rookie, most of my favorite music came from artists who debuted in years prior. As usual, the criteria is built around these three factors: Quality … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2024 Overall Thoughts Well… how are we all doing? Given the news of the past … Continue reading
Boy group EPEX have taken the unusual route of releasing two full-length albums this year. And when we add new title track Universe to the list, the guys will have promoted a total of five (!) songs with music videos in 2024. That’s quite prolific. Not all the material has been equally great, but this … Continue reading
It’s exceedingly rare for a K-pop act to drop two full-length albums in the space of a year, but that seems to be EPEX’s plan. The date for their upcoming album hasn’t yet been set, but My Girl acts as its pre-release. The guys delivered an impressive one-two punch this spring, making me hope their … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2024 Overall Thoughts K-pop years aren’t always frontloaded, but January was so strong that its … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
It took some time, but EPEX have finally found a sound that suits them. I’ve become more enamored with their newest title track Youth2Youth by the day, and follow-up Breathe In Love doubles down on its emotive, rock-infused style. Both songs have a satisfying arc, taking their time to deliver a full musical story and … Continue reading
EPEX’s material has been pretty hit or miss for me, but digging deeper into their song credits the group has worked frequently with (most of) the team that’s crafted The Wind’s discography. I’ve got my eyes on these producers, and for new single Youth2Youth (청춘에게) they seem to have brought a bit of that soaring, … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Pre-releases are all the rage these days, and EPEX are preparing for the release of their first full album with the sentimental Graduation Day (졸업식). Over the course of the past few years, the group has ping ponged between genres, often going to opposite extremes. But we haven’t really heard them slow things down for … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Looking back at EPEX’s discography, I’ve rarely clicked with their music. They pinball between ultra-bright and ultra-aggressive sounds, making it difficult to get a foothold on their concept. New single Full Metal Jacket is a complete 180 from this spring’s buoyant Sunshower, stuffed to the brim with distorted guitar and combative chants. I’m largely on … Continue reading
The Bias List // K-Pop Reviews & Discussion 