Late last night, as I was sleeping, the Bias List officially racked up its millionth view. In the grand scheme of things, I know that I’m a relatively small fish in a big pond. Hell, many of the k-pop acts I write about routinely manage over a million views in under an hour! But I’m … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
The Bias List‘s end of the year countdowns officially kick off tomorrow, and I’m starting with the big one. The first ten selections of my Top 50 Singles of 2017 will be unveiled on Monday, with ten more each weekday until the number one song is revealed on Friday. After that, I’ll be looking at … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Flow Blow … Continue reading
Disclaimer: As with my write-ups on the Big Three agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. Read Part … Continue reading
Disclaimer: As with my write-ups on the Big Three agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. Big Hit … Continue reading
As SM Entertainment’s original girl group, it’s hard to overstate just how successful S.E.S were when they debuted in the late 90’s. Long before “cute” was the girl group template of choice, the trio built their name on a catchy blend of hip-hop and 90’s r&b. Their music stretched into the early 00’s before a lengthy … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. 1Take & … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Glory Face … Continue reading
It wouldn’t be too much of a stretch to call F.Cuz the most consistently underrated group in modern k-pop. Over the course of their six years together, the guys recorded tracks in three languages and released a string of incredibly solid singles. But no matter how strong their material was, they were always overshadowed by … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Daniel Caesar … Continue reading
Debuting in 2015, the ten-member UP10TION is the latest (and largest) boy group to carry the torch for TOP Media. They’ve managed to quickly develop a strong fan base, even as they constantly explore different sounds and genres with their title tracks. And though they haven’t yet had ten official comebacks, they’ve released just enough … Continue reading
Late last year, I took a look at the “big three” k-pop agencies and offered my thoughts about how they were doing in 2016. Now that a year has passed, it’s the perfect time for a second evaluation. As with 2016’s review, this is written from an outsider’s perspective. I’m not privy to any business-related … Continue reading
Late last year, I took a look at the “big three” k-pop agencies and offered my thoughts about how they were doing in 2016. Now that a year has passed, it’s the perfect time for a second evaluation. As with 2016’s review, this is written from an outsider’s perspective. I’m not privy to any business-related … Continue reading
Late last year, I took a look at the “big three” k-pop agencies and offered my thoughts about how they were doing in 2016. Now that a year has passed, it’s the perfect time for a second evaluation. As with 2016’s review, this is written from an outsider’s perspective. I’m not privy to any business-related … Continue reading
Before Seventeen or After School or Nu’est, dance diva Son Dam Bi was the original Pledis artist. Debuting as the “female Rain,” she found success with a synth-pop sound that capitalized on her effortless charisma. She hasn’t released a single since 2013, but her string of  k-pop classics still electrify dance floors today. 10. Amoled … Continue reading
The Bias List // K-Pop Reviews & Discussion 