I find it strange to tie your album release to a seasonal single, but K-pop (and J-pop) do it quite often. If releasing an album in the month of December, you’re bound to get at least some holiday fare. We saw this from NCT Wish last month and now it’s &TEAM’s turn. Their album isn’t … Continue reading
I combed through the Bias List archives and was surprised to find that it’s been over three years since I’ve written about new music from Seventeen’s The8. He’s released a couple of songs since then, but new single Orbit (轨道) bolsters his first EP. With Seventeen enjoying a mega-successful year, this release feels like icing … Continue reading
A week after the MAMA Awards, it’s Melon’s turn to throw its annual celebration. Since the ceremony is centered around a digital streaming service, the criteria is more statistics-based than other shows. However, I’m always surprised how many random award categories these events can come up with to make sure everyone goes home with something. … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2024 Overall Thoughts Well… how are we all doing? Given the news of the past … Continue reading
Modern entries to the winter holiday canon can be tricky since this type of song thrives on built-up nostalgia. Most listeners have a handful of tracks they go back to each year until they become ritual. It’s less common for fans to go out of their way to discover new holiday classics, but when BTS’s … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though they’ve shifted their sound for … Continue reading
Seventeen are here to cap off an incredibly successful 2024 with the release of a new Japanese single. Shohikigen (消費期限) has been available for awhile now (I first wrote about it as part of a J-pop round-up), but they’ve just unveiled the music video for the song. While it’s rare for a K-pop act to … Continue reading
TWS has been a musical balm this 2024, offering structurally diverse bursts of exciting pop when everyone else was going beige and repetitive. To me, there hasn’t been a debut year this airtight in years and now the guys are tying a bow on their successful 2024 with a shift to a more sentimental sound. … Continue reading
So, I sat down and watched all three days of the MAMA Awards this year. Well… almost all three days (there was definitely some fast-forwarding). After a few years being pretty resigned to the ceremony, I was curious this year because so much of my favorite 2024 music came from artists who were big enough … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
When the credits for Jin’s new album were unveiled, my eyes immediately fell upon one name: Gary Barlow. I would have never expected to see the British Take That member’s credit on a K-pop release. Barlow has written a fair amount of fantastic music, but his taste also tends to be a bit milquetoast. Of … Continue reading
I had a dream last night that I went back to listen to ILLIT’s Cherish (My Love) and there was this whole new layer of production on its instrumental I’d never noticed before — including a prominent violin solo. During the dream, I wondered why I hadn’t loved the song on first listen. Upon waking … Continue reading
Album repackages are common in K-pop, but it’s been four months since the original release of ENHYPEN’s latest album, making this revisit feel more like a brand new comeback. No Doubt continues the laidback vibe of its predecessor XO (Only If You Say Yes), upping the tempo a bit but refusing to break free of … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! L.U.V. (from Time For Us – 2019) Whenever I see this track pop up I want to sing the classic Apink song of the same name. GFriend’s L.U.V. is quite different but includes the requisite spelling you tend to get with a … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! It’s You (from Time For Us – 2019) I find GFriend’s second album pretty hit-or-miss, and this unfortunately falls into the latter category. The song is just not that interesting, trudging along an uneventful mid-tempo groove that blends muted synths with trap … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Hope (from Fever Season – 2019) The synth textures that open this track are very effective and the light new jack swing beat that follows makes me think we’re in for another early-career GFriend classic. Hope definitely nods in that direction, but … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Here We Are (from Labyrinth – 2020) We’re slowing things down again with a lovely mid-tempo track. The opening verse does little for me, but Here We Are climaxes in a beautiful, layered chorus. The melodies aren’t much to write home about, … Continue reading
The Bias List // K-Pop Reviews & Discussion 