One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Hear The Wind Sing (from The Awakening – 2017) GFriend flirted with the tropical trend every once and awhile and Hear The Wind Sing definitely has hints of that sound in its percussion. However, its brilliance is adding strings to its house … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! GRWM (from Walpurgis Night – 2020) What I said then: “GRWM isn’t quite as disco as the three tracks that precede it, but it offers a shot of adrenaline that fits GFriend well. It’s got that galloping electro beat I love so … Continue reading
Earlier this year, TXT unveiled the angsty Deja Vu, capitalizing on the rock-infused sound that made their 2021 so exemplary. However, I felt that song’s production held it back from blooming into the highlight it should have been. Now, the guys have reverted to their second mode of pop song: upbeat, disco-kissed dance music. They’ve … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2024 Overall Thoughts I’ve probably opened with this overused phrase during previous Octobers, but I’m … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Flower Garden (from Time For The Moon Night – 2018) What I said then: “MIO also produced last year’s excellent Please Save My Earth, and borrows the same wind-tunnel layering effect for Garden‘s pre-chorus. It’s hard to explain this specific audio trick … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Flower (from Fallin’ Light – 2019) What I said then: “As with many J-pop tracks, Flower’s melody is pretty long-winded, taking several different refrains and melding them into one intricate chorus. Because of this, the song lacks the direct and immediate impact … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Fingertip (from The Awakening – 2017) What I said then: “Right from the start, Fingertip establishes its unique transformation with the instrumental’s wah wah guitar riff. It’s the opening salvo that ushers in the group’s most high energy synth riff yet, expertly … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Fever (from Fever Season – 2019) What I said then: “There are moments when the song wants to take off (especially the breathless, synth-dripped pre-chorus), but like so many tracks of this style, Fever constantly has to work its way back to … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Fallin’ Light (from Fallin’ Light – 2019) What I said then: “Much of it plays like the quintessential GFriend song, but even when the beat kicks in for the chorus, it just doesn’t hit the highs I know they’re capable of. Apart … Continue reading
BTS’s Jin marks a big milestone by being the first member to return from the military and release music. And, I’m not talking about his Super Tuna from a few weeks ago! He’s ready to unveil an entire album, led by pre-release I’ll Be There. And with names like Gary Barlow and Arcades on the … Continue reading
I haven’t been shy in voicing my displeasure/disinterest with K-pop’s current trend of beige, easy-listening girl group fare. The sound has become ubiquitous over the past year, dulling the excitement of many new groups. But within this sonic realm, ILLIT’s megahit Magnetic stood out as a solid example of the genre. Now they’re back with … Continue reading
*This was originally a “buried treasure” review, but now that we have an official mv, it’s been changed to a “song review” post. My rating hasn’t changed. It’s been quite some time since a Seventeen album has captured me, and new release Spill The Feels (such a cheesy title) is unlikely to break that trend. … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Crossroads (from Labyrinth – 2020) What I said then: “My central issue with Crossroads is that it’s just too lightweight. Yes, there are string sections aplenty swirling around the bulk of the song, but the percussion is too thin and inconsequential to … Continue reading
By any metric, it’s hard to argue that Seventeen aren’t the biggest K-pop act currently active. With this in mind, I keep waiting for another new single to wow me in the way so many of their past songs have. Maestro‘s chorus was an unsatisfying tease while last year’s God Of Music was pleasant but … Continue reading
I’m not deep enough into the BTS fandom to know this song existed prior to today, and I’m not even sure it warrants a review given its irreverence. However, new BTS releases are few and far between these days, and this is technically Jin’s first (though not new) song since being discharged from the military. … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Apple (from Song Of The Sirens – 2020) What I said then: “Given 2020 K-pop’s urge to shift styles every three seconds, Apple is a remarkably consistent track. Its various elements lock together flawlessly, though the entire thing hits at the same … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2024 Overall Thoughts While the first half of 2024 was quite strong, these past few … Continue reading
The Bias List // K-Pop Reviews & Discussion 