The global K-pop fandom lost its collective mind upon the announcement that IU would be collaborating with BTS’s Suga. And true to grouchy form, I received the news with a shoulder shrug, imagining the dull hip-hop ballads that usually result from these high-profile pairings. However, Eight (에잇) sounds nothing like I’d expected, and I say … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! November … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2019 Overall Thoughts While November was not the blockbuster month that October was, it offered … Continue reading
After a series of slower tracks, IU has revisited past sounds with new album Love Poem. And, there are certainly plenty of sounds to choose from. She’s had an interesting career, launching with a bubblegum pop style before segueing into a more theatrical, Broadway-ready belt that ultimately calmed to the quirky-cool singer we know today. … Continue reading
Over the past few years, I think I’ve liked the idea of IU better than the reality itself. Once known for ornate, symphonic pop music, her oeuvre has devolved into wispy ballads and quirky coffeehouse fare. She remains intensely popular in Korea, and her pleasantly light vocal timbre and undeniable presence back up this success. … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
This is one of those features I’ve been wanting to tackle for years now. In many ways, the singles of 2012 set the standard I measure all future and past K-pop against. Song for song, it was the pinnacle of so much that I love about Korean music. It was a year of gargantuan choruses, … Continue reading
Is it just me, or has IU become the female Zico? Or maybe Zico has always just been the male her? I imagine a world (cue dramatic gesturing) where she has harnessed her status as K-pop’s golden child to push the industry into new and exciting territory. What if she had never abandoned the lush, … Continue reading
A collaboration between Zico and IU is like a wet dream for Korean charts. Both artists routinely see their music lodged in the top ten for weeks (sometimes months) on end, seeming to attract a wide variety of fans. So why does the prospect of this pairing leave me cold? More and more, I’ve come … Continue reading
Given the tragic passing of SHINee’s Jonghyun last week, this year’s annual Gayos carry an undeniable cloud of sadness around them. I’m actually surprised that SM artists have decided to perform at all, but I suppose the distraction might be needed. This year’s SBS Gayo Daejun had the theme of “Number 1” (as hosts … Continue reading
After the incredible success of her 2017 album Palette, IU is taking a victory lap with the release of her second covers project. A Flower Bookmark 2 follows the same trajectory of its 2014 predecessor, covering k-pop songs from the 80’s and 90’s. Chief among these selections is Last Night Story (어젯밤 이야기), a 1988 … Continue reading
From bubblegum pop princess to mature singer-songwriter, IU has grown to become one of k-pop’s most loved and respected artists. Her output has varied quite heavily throughout the years, and each listener is likely to have an IU sound that they prefer most. Looking at my top ten, I think you’ll see where my allegiances … Continue reading
Many have given IU the nickname “digital queen.” Such is the strength of her wide-reaching popularity in Korea. Nearly anything she releases instantly jumps to the top of the charts, even if her music may not make the same waves internationally. She’s by no means unpopular outside of Korea, but like Taylor Swift in the States, … Continue reading
When it comes to prevailing tastes, Korea and I usually agree. But try as I might, I’ve never been able to fully understand IU’s enduring stranglehold on the charts. By all accounts, she seems like a lovely person. And being a successful actress certainly boosts her profile. I appreciate her willingness to go vintage when … Continue reading
The Bias List // K-Pop Reviews & Discussion 