Snow Man’s Dangerholic acts as the ending theme to member Meguro Ren’s newest drama Trillion Game. The series’ fast, freewheeling energy requires an equally splashy, confident song. Dangerholic delivers this energy, stuffed with brass and guitar and big, singalong hooks. The guys have performed shortened versions of this song for weeks now, so I’m not … Continue reading
Apologies for the click-bait title. I don’t often use them, but I really wanted to share this track and I wasn’t sure how to do it. I don’t write “Buried Treasures” for J-pop, nor do I feature a countdown dedicated to Japanese b-sides. So, I thought I’d attempt to catch everyone’s interest before writing about … Continue reading
There can often be a long lag between a J-pop song and its accompanying music video. I first wrote about Fantastics’ Tell Me when it came out in early June, but now that we have a video I can give it the full review it deserves. And I have to say, the wait was worth … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
The annual Bias List Legendary Songs Inauguration Ceremony has returned! Yes, I’m a few months late on this, but it’s been a busy year of new releases and I was waiting for an empty day to compose this feature. It’s exceedingly rare for me to award any song a 10-out-of-10 rating on release day. Instead, … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Naniwa Danshi released their second album Popmall this week, and it’s being promoted by two contrasting songs. These tracks represent the duality of the group’s music, and can be best described by this well-known meme: The ebullient Poppin’ Hoppin’ Lovin’ is fun but kind of exhausting. I’m much more drawn to LAI-LA-LA, which feels like … Continue reading
Debuting in 2019, Exile Tribe’s Battle Of Tokyo is one of the coolest projects developed by any entertainment company. It brings together the agency’s Jr.Exile groups under fictional guises in a futuristic battle royale. It’s a multimedia project, including videos, books and — of course — music. This week, the third chapter in the series … Continue reading
For years now, many fans have been asking for a more “mature” concept from Twice. The use of that word “mature” always gives me pause. Who decided that slower, darker songs are automatically “mature”? I’d venture to say I’m older (maybe not more mature, though!) than the majority of K-pop fans. However, I still prefer … Continue reading
Debuting in 2019, Exile Tribe’s Battle Of Tokyo is one of the coolest projects developed by any entertainment company. It brings together the agency’s Jr.Exile groups under fictional guises in a futuristic battle royale. It’s a multimedia project, including videos, books and — of course — music. This week, the third chapter in the series … Continue reading
Debuting in 2019, Exile Tribe’s Battle Of Tokyo is one of the coolest projects developed by any entertainment company. It brings together the agency’s Jr.Exile groups under fictional guises in a futuristic battle royale. It’s a multimedia project, including videos, books and — of course — music. This week, the third chapter in the series … Continue reading
It feels like &TEAM have promoted recent single Firework more frequently on Korean broadcasts than in their native Japan, making the whole ‘Korean-agency-debuts-Jpop-act’ approach even more nebulous. Thus far, &TEAM’s output has basically been K-pop performed in Japanese — a trend many agencies are attempting to replicate. My thoughts on this aside, Firework is a … Continue reading
Debuting in 2019, Exile Tribe’s Battle Of Tokyo is one of the coolest projects developed by any entertainment company. It brings together the agency’s Jr.Exile groups under fictional guises in a futuristic battle royale. It’s a multimedia project, including videos, books and — of course — music. This week, the third chapter in the series … Continue reading
Debuting in 2019, Exile Tribe’s Battle Of Tokyo is one of the coolest projects developed by any entertainment company. It brings together the agency’s Jr.Exile groups under fictional guises in a futuristic battle royale. It’s a multimedia project, including videos, books and — of course — music. This week, the third chapter in the series … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
I have only a passing familiarity with Tokyo Gegegay (mostly through their collaborations), which caused me to miss the video for Break The Romance (破壊ロマンス) when it was released two weeks ago. But with a new album out this week, I dove into this single and won’t be looking back. I love when a song … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Starship Entertainment’s current A&R team is … Continue reading
Formed through Yoshiki Superstar Project X, XY is more like a performance troupe than a traditional boy group. It’s an insanely ambitious idea: bring together vocalists, dancers, a rock band (and a baton twirler for good measure) and see what you can come up with. The result is absolute magic. I feel similar about XY … Continue reading
I’m pretty obsessed with this list of singles and albums. I’ve been a J-pop fan for almost a decade now, but this year I’ve made a concerted effort to really dive deeply into the industry. Part of this initiative includes weekly J-pop round-ups that are posted every Sunday on this blog. My efforts have been … Continue reading
Unlike every Johnnys group before them, Travis Japan’s debut year has been characterized by a stream of digital single releases. This is much more in line with Western pop roll-outs, and gives the group a chance to quickly display the various sides to their music. Luckily, Travis Japan’s singles keep getting stronger. Candy Kiss is … Continue reading
The Bias List // K-Pop Reviews & Discussion 