I feel like I’m always writing about Kis-My-Ft2 being my favorite J-pop group, yet rarely provide suitable evidence. The group’s b-side game is strong, and that’s one of the reasons their 250+ song discography has so much to offer. This got me thinking about all my very favorite J-pop tracks, many of which never get … Continue reading
I was surprised how invested I became with the second season of Japan’s Produce 101. I decided to watch it on a whim, and found myself rooting for the contestants in a way I hadn’t since Korea’s second go-around back in 2017. I’m delighted with the final line-up, particularly since it includes a few killer … Continue reading
I wish I would’ve been more diligent about writing reviews for Kis-My-Ft2’s 2016-19 material, because most of my words since then have been critical and don’t capture my love for the group. After that incredible era, I feel like their music has been in a bit of a slump through no fault of their own. … Continue reading
With shake-ups at the agency and an influx of new debuts, Johnny’s Entertainment seems to be in an era of flux. Some changes have been very welcome (SNS accounts! MVs on YouTube!), making it feel like the agency is finally reaching out to global fans. But, we’ve been down this road with K-pop. Outreach threatens … Continue reading
LOONA’s Japanese debut Hula Hoop has no music video, and there doesn’t seem to be one forthcoming. This usually means I skip writing about the song unless I’m ridiculously enthused or enraged. But, enough of you asked for a review and today’s a slow K-pop day. So, here we are! Like so many recent idol … Continue reading
Over twenty years since his debut, Miyavi is releasing some of the strongest albums of his career. He’s found a great juncture that encompasses solo work, collaborations, Japanese and English lyrics, original songs and covers. His new album Imaginary wraps these facets in his incredible guitar work and knack for a killer melody. K-pop fans … Continue reading
After making their long-awaited return earlier this summer, 2PM are releasing new music in Japan. They’ve always had a huge J-pop career – so big that it eclipsed their Korean output in recent years. We’ll see how commercially impactful With Me Again (僕とまた) ends up being, but when it comes to sheer quality, it definitely … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. In the midst of their ONEUS … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2021 Overall Thoughts When it comes to new music, I often mention the “expectations game.” … Continue reading
Hey! Say! JUMP have been on an experimental kick since 2019, and I’ve enjoyed watching them grow into their more mature, adventurous style. Of course, “experimental” won’t be for everyone and some musical choices have been stronger than others. New single Gunjo Runaway (群青ランナウェイ) is definitely an odd one, filled to the brim with chaotic, … Continue reading
Since Johnny’s Entertainment (and its related labels) don’t post full music videos online, I usually wait until the physical release of a new single to review it. But unless there’s some extra dance break hidden in the album version, the online video for Snow Man’s new track Evolution seems complete. I can hardly believe it, … Continue reading
One of the cool (and frustrating) things about the Johnny’s Entertainment system is its junior groups. Yes, all agencies have trainees waiting for debut, but Johnny’s Junior have their own televised performance show and their own songs. They also star in dramas, stage plays and variety. It’s a way to build fan bases and cut … Continue reading
Kis-My-Ft2 are celebrating their tenth anniversary, and that means it’s time for the requisite greatest hits package. Yes, Japan still does “greatest hits” albums – and they actually sell well! Kis-My-Ft2 remain my favorite Johnny’s group, though that’s as much to do with their entertaining personalities and interplay as the actual music. Still, I put … Continue reading
The arc of SixTONES’ 2021 discography has played out differently than I would have expected. Accurately or not, I associate them with a certain rock-influenced style that comes across as big and edgy. Apart from their January album, most of their recent work has leaned closer to alternative pop and/or hip-hop. This isn’t necessarily a … Continue reading
Over the past couple of years, Sexy Zone have delivered a near-perfect singles run. The momentum was bound to dip eventually. When it comes to Johnny’s groups, that usually occurs with the release of a slower, more sentimental track. Like many J-pop acts, their music is tied heavily to dramas, and Summer Hydrangea (夏のハイドレンジア) serves … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2021 Overall Thoughts Well, July was… interesting. And by “interesting,” I mean unimaginably dull. Other … Continue reading
I can’t overstate how much I adore JO1’s Born To Be Wild. I loved it from the start, but it’s grown into the kind of pop behemoth that spawns entire essays on this blog. From build to chorus to breakdown, the track is perfection and still gives me goosebumps every time it pops up on … Continue reading
It’s been fun watching Exile Tribe’s various groups find their niche. The artist collective is really diversifying its roster, tailoring different sounds to different strengths. Unsurprisingly, I’ve been enamored by Fantastics’ recent embrace of retro synth pop. They’ve been on an incredible roll of late, from High Fever to Play Back to Stop For Nothing. … Continue reading
Over the past few years, several Johnny’s groups have started recording more English-language material. This surprises me given the agency’s lack of access to English-speaking markets. Just like K-pop, I’m not sure I want these acts to be vying for international attention – especially if it means diluted the aspects that make them unique and … Continue reading
Ryuji Imaichi, from Exile Tribe’s Sandaime J Soul Brothers, has a flourishing solo career that’s largely passed me by. Depending on the song, I either love the unique tone of his voice or find it quite piercing. But when I stumbled upon the futuristic cover of his new mini album Chaos City, I knew I … Continue reading
The Bias List // K-Pop Reviews & Discussion 