At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2025 Overall Thoughts October started slow as Chuseok celebrations caused a week or so of … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
To be honest, I skip past a lot of idol-turned-soloist releases. Every once and awhile you’ll get something that feels artistically different, but nine times out of ten you’re usually in store for a sentimental ballad or a mid-tempo r&b/rock/pop track — especially if a big agency is behind it. Pentagon’s Kino made his solo … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2022 Overall Thoughts Oof. I predicted February would be slow, and unfortunately I was right. … Continue reading
Last time I wrote about Jamie, she was still working under her Korean name Park Jimin. Now, she’s back with a complete reinvention. The English-language Pity Party is unlike anything she’s recorded before, though it has solid roots in the disco trends popularized by global artists like Dua Lipa. Jamie feels uniquely perched to tackle … Continue reading
It’s Christmas Day here in the States, so I’ll be taking a one-day break from the end-of-year countdowns to focus on 2020’s K-pop holiday offerings. Every year, the industry delivers a glut of seasonal material, though there haven’t been that many recent classics. I already reviewed The Boyz’ festive Christmassy earlier this month, but now … Continue reading
Founding his own agency seems to have been a smart move for Kang Daniel. He’s able to release music when he wants and embrace the genres he’s interested in. And lucky for fans, he’s been pretty prolific so far. Wave follows March’s underrated 2U, and is a proper collaboration track. It’s also a pre-release teaser … Continue reading
The Bias List // K-Pop Reviews & Discussion 