K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Stray Kids seem poised to dominate the second half of July with the release of new album Ate alongside a track on the sure-to-be-blockbuster Deadpool & Wolverine movie. That corporate synergy even extends to the music video for title track Chk Chk Boom. Of K-pop’s many global successes, Stray Kids are at the tip top … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Though JYP Entertainment has been active in Japan for many years, girl group NiziU was an early experiment in “J-pop group produced by Korean agency.” With companies like HYBE, SM and Lapone following suit, this strategy has become more common as time has gone on. It’s changing the J-pop idol landscape and blurring the lines … Continue reading
Nine years into their career, Twice continue to straddle the line between various music markets, frequently releasing work in Korea, Japan and internationally. New single Dive heralds their latest J-pop album, hinting at a more mature summer sound. Twice have released their share of bangers in Japan, often mirroring the soundscapes present in their Korean … Continue reading
Xdinary Heroes are having a busy year. Fresh off the release of their first full album, they’ve embarked on a series of digital singles. Last month, we heard the rollicking Boy Comics. July’s treat comes in the form of LOVE and FEAR — a more aggressive blast of cathartic rock. LOVE and FEAR plays like … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
While 2024 has delivered quite a few standout singles so far, I haven’t been as blown over by the albums. Still, I was surprised how many I was able to cobble together. Unlike in the past, I’m not distinguishing between mini and full albums, though albums must have at least four full songs to be … Continue reading
Wow, what a change a year can make! At this point in 2023, I was only able to pick a small handful of tracks to feature in my mid-year countdown, but 2024 has me spoiled for choice. My list is unusually long this time and probably won’t be all that surprising (barring one or two … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2024 Overall Thoughts It’s been awhile since I’ve said this, but K-pop is in a … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Twice’s Nayeon made her solo debut in June of 2022 with the splashy, addictive Pop. Now, almost two years later to the day, she’s picked up where she left off with the even splashier ABCD. There may still be room to grow, but in this era of flattened, fluttery earworms it’s refreshing to hear something … Continue reading
Just a few weeks after the release of their first full album, Xdinary Heroes are already back with a special digital single. Their recent output left a good impression on me, so the unexpected drop of Boy Comics (소년만화) is certainly welcome. Some of my favorite moments on the group’s album were when the music … Continue reading
I don’t watch many audition series anymore, but I did catch the latest season of JYP’s Nizi Project last year. I chose to watch it because I find J.Y. Park a fascinating and highly entertaining TV personality, but of course I grew to like the guys of NEXZ as well. Following in NiziU’s footsteps, they’re … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
JYP groups have always achieved great success in Japan and that has expanded to the agency’s very own J-pop acts NiziU and NEXZ. ITZY haven’t had quite as many promotional opportunities in this market as their agency peers, but new single Algorhythm continues their push. For me, the most notable aspect about Algorhythm is its … Continue reading
Somehow, Charlie Puth has become a go-to K-pop collaborator. He romped around with BTS’s Jungkook in 2022 and now he’s coaxed Stray Kids out of their typical hard-hitting style to craft something slinkier and understated. I enjoyed most of Charlie Puth’s 2018 album Voicenotes, but he’s also written a fair amount of songs that are … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Until now, I don’t think I’d … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2024 Overall Thoughts K-pop years aren’t always frontloaded, but January was so strong that its … Continue reading
On their first few releases after debut, idol band XDinary Heroes felt a little too gimmicky for me. Songs like Happy Death Day and Hair Cut seemed overly enthused by their own cleverness, so it was refreshing to see the group unleash a straight-ahead rocker with last year’s Break The Brake. For the release of … Continue reading
The Bias List // K-Pop Reviews & Discussion 