One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Here We Are (from Labyrinth – 2020) We’re slowing things down again with a lovely mid-tempo track. The opening verse does little for me, but Here We Are climaxes in a beautiful, layered chorus. The melodies aren’t much to write home about, … Continue reading
I’ve been writing about a different GFriend song every day for the past few weeks (and will continue to do so until I’ve run through their whole discography), so it’s fun when my daily GFriend feature converges with a new single by the group’s spin-off act VIVIZ. Their title track Maniac from one year ago … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Hear The Wind Sing (from The Awakening – 2017) GFriend flirted with the tropical trend every once and awhile and Hear The Wind Sing definitely has hints of that sound in its percussion. However, its brilliance is adding strings to its house … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TVXQ just released their best song … Continue reading
NCT’s Doyoung debuted as a soloist earlier this year with a full album. Now, he’s capping off 2024 with the release of new digital single The Story (시리도록 눈부신). Rather than reinvent the wheel, the song sounds like an extension of his previous work, drawing upon his rich vocal for an uplifting ballad. The Story … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! GRWM (from Walpurgis Night – 2020) What I said then: “GRWM isn’t quite as disco as the three tracks that precede it, but it offers a shot of adrenaline that fits GFriend well. It’s got that galloping electro beat I love so … Continue reading
I’ll confess this right at the top: despite enjoying Yesung quite a bit as a performer, I nearly didn’t listen to this new solo track at all. My bias (and his musical history) had me expecting a specific type of ballad that just isn’t my thing. I very rarely have much to write about these … Continue reading
I feel like I must open every new DAY6-related review by mentioning just how well the group has done this year. It’s insane to see so many of their singles running up the charts — both old and new. Korea is clearly in love with their sound, more than any other time in the past … Continue reading
Boy group EPEX have taken the unusual route of releasing two full-length albums this year. And when we add new title track Universe to the list, the guys will have promoted a total of five (!) songs with music videos in 2024. That’s quite prolific. Not all the material has been equally great, but this … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Gone With The Wind (from LOL – 2016) With a cinematic title like Gone With The Wind, you just know this is going to be good! Indeed, it’s one of my highlights from the LOL album. The song opens with a peppy … Continue reading
Today, Minho becomes the final SHINee member to release a full studio album. New material from SHINee is always something to cheer about, but in the past Minho’s work hasn’t often been targeted to my taste. He tends to prefer more downbeat, vibes-driven material. New single Call Back adds a driving beat, but its tone … Continue reading
As sure as the sun sets, we can count on J.Y. Park to return each year with a fun retro banger. It’s practically a national holiday at this point. He’s long since eschewed albums for digital singles and this approach gives him a chance to funnel all his energy into one great song at a … Continue reading
Earlier this year, TXT unveiled the angsty Deja Vu, capitalizing on the rock-infused sound that made their 2021 so exemplary. However, I felt that song’s production held it back from blooming into the highlight it should have been. Now, the guys have reverted to their second mode of pop song: upbeat, disco-kissed dance music. They’ve … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Glow (from Time For Us – 2019) GFriend never explored roller rink disco pop as often as they probably should have, but each and every effort is a standout. Their vocals lend themselves very well to this style, backed by shimmering synths … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Glass Bead (from Season Of Glass – 2015) Previous Thoughts: “Its hooks are sharp and punchy, underlined by a bright beat that approaches new jack swing without completely embracing the genre. Extra stabs of percussion add emphasis in all the right places, … Continue reading
I didn’t watch this season of Kingdom and don’t hold any particular allegiance to any of the participating groups, but I thought it might be fun to take a listen to the series’ original songs and do a little ranking anyway. Because I have no context around these releases, my opinions are entirely based on … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! From Me (from Labyrinth – 2020) We’ve had a lot of bangers this week, and now it’s time for something more gentle. From Me retains a classic GFriend tone, but tempers the theatrics. If other tracks sounded like a huge, bustling metropolis, … Continue reading
Top Media’s first ever girl group teased their debut last month with pre-release Best Friendz. From that song alone, it felt as if their music would be pitched toward a younger audience. Their proper debut track arrives today and shines more light on where the group may be headed. After Best Friendz, it’s pretty jarring … Continue reading
I loved Kep1er’s nine-member swan song Shooting Star and was upset when they never performed it at this year’s KCON LA. Now the group is down to seven, as Mashiro and Yeseo parted ways to join 143 Entertainment’s Madein. A new configuration opens potential for a new sound, and Tipi-Tap certainly switches things up. Unfortunately, … Continue reading
In the lead-up to BABYMONSTER’s first full album, they’ve teased all of its songs except title track Drip. We even heard the full album opener Clik Clak two days ago. I haven’t been impressed by much of the group’s discography so far, but YG Entertainment always seems to come up with at least one highlight … Continue reading
The Bias List // K-Pop Reviews & Discussion 