It’s been over a year since WEi last made a comeback with the summery Overdrive, but new single LOVE2YOU feels like it starts right from where that song left off. Summer may be coming to a close, but that doesn’t mean we can’t enjoy a few more bursts of sunshine before the seasons change. LOVE2YOU … Continue reading
Few rookie groups have endured a story as dramatic as Fifty Fifty. Initially emerging from a fledgling agency, they quickly gained international notoriety and incredible momentum, only to have this success undercut by alleged abuse, escalating lawsuits and contract terminations. The timeline is too complicated for me to recount here, but we’re left with an … Continue reading
From the moment they kicked their legs in the air to open Fearless‘s compelling choreo, LE SSERAFIM have displayed tons of potential and even more style. But too often, the group has been saddled with ultra-trendy material that feels like an echo of Western pop sounds rather than a guiding light forward. With new single … Continue reading
Since departing Treasure, Bang Yedam has released several solo singles. Most recently, he featured on a duet with aespa’s Winter. Now he’s back with his second mini album Good Vibes and title track O-HE. The song takes advantage of his natural sense of rhythm and a vocal flavor that recalls K-pop greats like Jay Park … Continue reading
Originally debuting as a main rapper in EXO, Chanyeol has gone on to release several solo singles in a variety of genres. He may not be a powerhouse vocalist within the group, but his tone has an easily identifiable charm suited to rock and indie music. Black Out comes from his first official solo album … Continue reading
I count myself among the contingent of Chungha fans who prefer when her music aims straight for the clubs, meaning this spring’s title track Eenie Meenie became eclipsed by its clubbier b-side I’m Ready. With new single Algorithm, she seems to have grasped the formula (see what I did there?) many of us have been … Continue reading
Given Cube Entertainment’s once-savvy position in the K-pop industry, I’m surprised how soft their launch of new boy group Nowadays has been. Their debut came and went without much fanfare, followed by a cover version of Beast’s Rainy Day. Neither of these tracks helped establish Nowadays as a unique group of their own, so first … Continue reading
Rescene made their debut during a busy week for new girl groups. Lumped alongside ILLIT, UNIS, Candy Shop and ME:I, their UhUh stood as the most promising track of the bunch. But without an album to develop this promise, it was difficult to put much stock into Rescene’s future. Thankfully, their first comeback Love Attack … Continue reading
NCT’s Jaehyun pre-released two tracks from his debut solo album earlier this month. I gave both average ratings but never returned to them again. Rather than “good” or “bad,” the songs didn’t have much effect on me at all. They simply existed — nice, well-performed and very predictable. Title track Smoke continues this pattern, painting … Continue reading
Oh My Girl have been through several distinct musical iterations, but many fans remember them best for the fairy-like, ethereal quality of early singles like Closer and Windy Day. It’s been awhile since they’ve revisited this style and new title track Classified seeks to recapture some of that magic. Like agency-mates ONF earlier this year, … Continue reading
As with most survival show spawned groups, ZEROBASEONE’s discography has been a mixed bag. Most songs have grown on me, but none blew me away on first listen. And despite a number of similar b-sides, no title track has yet to recapture the airy effusiveness of their debut. New single Good So Bad manages to … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Overall, 2024 has had a solid … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. With a (performance?) video still possible … Continue reading
I’m a little surprised NCT Dream haven’t released an international single until now (not counting their duet with HRVY). They’re consistently one of the best-selling NCT units and slot nicely into a radio-friendly pop template. Rains In Heaven fulfills this brief, casting an evocative synth soundscape. Regardless of the song itself, it’s so satisfying to … Continue reading
Sungmin has found a comfortable niche in trot music, a sound that’s still very popular in Korea. And with SM Entertainment set to debut a trot boyband of their own, the genre seems poised for even more of a resurgence. For my part, I appreciate a great trot track (especially when performed live) but very … Continue reading
Last year, it was reported that Nine Muses might be regrouping for a reunion comeback. I’d love to see it, as their discography is one of K-pop’s most underrated gems. But a year later, it seems that the news might have been a pipe dream — and judging by recent returns from groups like Infinite … Continue reading
Across her solo career, Mamamoo’s Moonbyul has proven to be one of the more versatile members of the group, tackling a hodgepodge of genres and concepts with her trademark energy. Last winter’s double shot of Think About and Touchin&Movin was more effective than I’d expected, and now she’s returned with a repackage of that album … Continue reading
STAYC have leaned further into their quirky side as their career has developed, and that includes their Japanese work. 2022’s Poppy is one of their wackiest tracks, capitalizing on a certain J-pop energy that isn’t always embraced by Korean acts. Despite its silly title, new single Meow is more straight-laced, delivering a brief burst of … Continue reading
Rookies Young Posse have made a name for themselves with quirky hip-hop tracks and bizarre music videos with bad green screen effects. New single Ate That leans into both aspects but stands as their best attempt yet, embracing a full throated G-funk beat. I have a huge soft spot for 90’s hip-hop, particularly when underlined … Continue reading
The Bias List // K-Pop Reviews & Discussion 