In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
KAT-TUN released their eleventh album this week and it’s their most consistent work in years. Also, you can stream the standard eleven-track version worldwide! Way to go, Johnny’s! Fantasia promised to pay tribute to the group’s various eras and sounds, but the whole package feels pretty sleek and modern. It’s relentlessly upbeat, embracing sick dance … Continue reading
I know that 99% of my readers are K-pop fans and likely have little interest in the goings on of Johnny’s & Associates, but I’m a big fan of the agency and there’s so much to write about them – particularly in 2022. My thoughts on Johnny’s are a little muddled this year, so rather … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But along with most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2022 Overall Thoughts I’m eager to write a super effusive, super excited monthly round-up. Unfortunately, … Continue reading
I don’t know whether to classify this as a single or a buried treasure under Bias List rules, but indulge me a bit because it’s not often I get to write about a Johnny’s song that’s actually available on streaming platforms! KAT-TUN have been venturing into digital distribution since last March, and I hope this … Continue reading
My Top J-Pop Songs countdown continues in its expanded format! We’ve got fifty of the best (mostly idol) tracks Japan had to offer, with many great choices relegated to the honorable mentions. Because I don’t write about all of these songs the way I do for K-pop, this is always a fun countdown to compile. … Continue reading
I’m sure many Bias List readers are like, “Johnny what?!?”, but I’ve decided to branch out this year and offer my thoughts on one of J-pop’s biggest agencies. I mostly want to do this because I think they’ve had a great year worth writing about. As usual, the thoughts are my own and aren’t privy … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2021 Overall Thoughts September is usually a hit of miss month. Releases tend to be … Continue reading
With shake-ups at the agency and an influx of new debuts, Johnny’s Entertainment seems to be in an era of flux. Some changes have been very welcome (SNS accounts! MVs on YouTube!), making it feel like the agency is finally reaching out to global fans. But, we’ve been down this road with K-pop. Outreach threatens … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2021 Overall Thoughts I’ve heard whispers around social media lamenting that 2021 has been a … Continue reading
KAT-TUN are currently celebrating their 15th anniversary, and I hope that means we’ll be hearing a lot from them. It’s been nearly two years since their last album, and because the Kame x Yamapi project was scrapped last year, we haven’t even heard any solo music in the interim. KAT-TUN were one of my entry … Continue reading
I watched J-drama Nobuta wo Produce for the first time last month and fell head over heels in love with it. Even since, I’ve been revisiting KAT-TUN’s (consistently fantastic) discography and remembering just how much I adore their music. At their best, they’ve delivered some of the most essential pop tracks of the last fourteen … Continue reading
Longtime readers of The Bias List will know how stingy I am when it comes to rating songs nine and above. But, there’s plenty of music that qualifies. In fact, I’ve got a playlist of over 600 of them sitting in my iTunes. The vast majority of these are singles or title tracks, but there … Continue reading
Despite its title, I’m quite confident that this list does not represent the “best” J-pop tracks of the year. It’s a much more filtered list than my K-pop countdowns, because I just don’t keep up with J-pop as strongly as I’d like to. So, what you’re getting here is twenty great tracks by artists that … Continue reading
Each year, I try to delve deeper into the vast world of J-pop. 2018, in particular, rewarded that persistence. J-pop may be difficult to find for international listeners, but it provided a wonderful antidote to some of K-pop’s overused trends. This countdown is usually littered with Japanese title tracks by Korean groups, but this year … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2018 Overall Thoughts I’ve always seen the month of July as the pinnacle of each … Continue reading
After their reemergence with April’s excellent Ask Yourself, KAT-TUN have released their first full-length album in four years. Its diverse set of songs does a good job encapsulating the group’s twelve-year career — but though they’ve tackled many different genres throughout the years, KAT-TUN have always returned to their distinct blend of anthemic pop rock. … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2018 Overall Thoughts In my mind, April represents the beginning of k-pop’s peak season. From … Continue reading
For fans of KAT-TUN, it’s been a long wait. The guys have been on a self-imposed hiatus for nearly two years after founding member Taguchi decided to leave the group. Ask Yourself is their first release as a trio, and their first new music we’ve heard since 2016. This return could have gone any number … Continue reading
The Bias List // K-Pop Reviews & Discussion 