Following a tradition first established in 2020, I’m celebrating the holidays today with the opening of gifts. These packages come in the form of seasonal K-pop tracks not yet reviewed on the blog. As much as possible, I’m only focusing on original songs. There are TONS of song covers and “Christmas versions” of existing tracks … Continue reading
I’ll take a look at K-pop’s established artists tomorrow, but I like to share my thoughts about this year’s rookies first. For me, 2025 was defined by its rookies. This is probably my most competitive countdown this year, as there were so many new groups I found compelling. Surprisingly, many of these emerged from survival … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2025 Overall Thoughts Though there’s still another month left of 2025, I always consider November … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Back in the mid-2010s, there was a micro-trend of big, brassy girl group tracks — no doubt inspired by global megahits like Jessie J’s Bang Bang. I didn’t appreciate this sound as much as I should have in the moment, but looking back it was a great opportunity for K-pop’s girl groups to bring the … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
It’s an uphill battle for new acts from small-to-medium sized agencies, requiring most to deliver eye-raising material that seizes the K-pop conversation. Rather than focus on legitimately great music, many of these smaller acts opt for gimmicks or — more recently — bold statements designed to grab listeners’ attention. The title of KIIRAS’s pre-release certainly … Continue reading
The Bias List // K-Pop Reviews & Discussion 