EXO are one of my “K-pop A-Z” artists, and that means I’ve committed to write about anything they release in perpetuity. So, here are my thoughts about every track from their new Exist album! 1. Cream Soda // 2. Regret It // 3. Hear Me Out // 4. Private Party // 5. Cinderella // 6. … Continue reading
ENHYPEN’s One And Only is a collaboration with Pokémon, though the song’s line distribution ensures we never get to hear Pikachu’s beautiful falsetto. Instead, the colorful pocket monsters appear in the music video. Without those added visuals, One And Only is a pleasant summer bop — airy and mid-tempo. ENHYPEN have a few tracks like … Continue reading
I can hardly keep up with all the twists and turns in the LOONA story, but I know one thing for sure: after nearly six years’ hiatus, Odd Eye Circle are back with new Korean music. Their work represented some of LOONA’s early peaks, offering an edgier take on K-pop’s girl group fare. After signing … Continue reading
NMIXX were smart to pre-release Roller Coaster last week. That song takes some time to get under your skin, but it’s blossomed into a subdued summer hit for me. Title track Party O’Clock plays within similar sonic territory. It’s far less successful in its execution. The name “Party O’Clock” conjures ideas of massive EDM drops … Continue reading
It’s a big day for K-pop boy groups, with one veteran act returning after a long hiatus and the year’s most anticipate rookie making their debut. ZEROBASEONE were brought together through MNET’s audition program Boys Planet, which I chronicled on this blog back when it aired. Though I was pleased with the final line-up for … Continue reading
I’ll always have a soft spot for EXO. They were one of my gateways into K-pop, way back when they made their debut eleven years ago. It’s been a rocky ride the past few years, with member enlistments and other roadblocks preventing the group from making their yearly comeback. Instead, fans have waited two years … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Starship Entertainment’s current A&R team is … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Teen Top’s HWEEK is a certified … Continue reading
If I had a time machine, I’d go back to 2016 and tell myself that – in seven years – I’d be writing the words “& Jonas Brothers” in the title of a blog post on The Bias List. It’s been quite a journey, my friends. Who would have ever thought we’d end up here? … Continue reading
NewJeans kicked off the day with the release of an eponymous introduction track for their upcoming album. That Powerpuff Girls collab was mood-setting but ephemeral. It fully embraced the group’s stylized worldview. NewJeans are nothing if not cool. Sometimes, I think “cool” is put at a higher premium than anything else. I understand why this … Continue reading
Queenz Eye debuted late last year with a song I never covered on the blog. Now, they’ve returned with their first comeback and a new sound. Un-Normal feels decidedly normal to me — especially given current K-pop girl group trends. It’s the latest in a long line of groovy, mid-tempo pop/r&b jams. The other day, … Continue reading
With so many pre-releases, it feels like Kiss Of Life have already debuted several times over. But Shhh (쉿) is the big one — the song they’ll be performing and promoting and ultimately be remembered for. As such, it falls somewhere toward the bottom half of their burgeoning discography. It may have been naïve of … Continue reading
Mere days after SHINee and U-KISS released new material, Teen Top are the latest second-gen group to join K-pop’s summer line-up. I’m not sure what a “hweek” is, but I’ll gladly take any kind of hweek that results in all my old favorites returning to the industry! HWEEK (휙) feels like a companion to U-KISS’s … Continue reading
There will be no summer barbeques or afternoons at the beach for Jun’s Psycho. This song spends its time in a windowless room, chains and restraints attached to the walls. Summer fare this is not. Jun has recorded solo material before, most recently with last year’s Limbo. Psycho follows a similar vibe, though it’s more … Continue reading
To be honest, there haven’t been many K-pop albums in 2023 that I’ve played more than a couple times through. Similar to my singles list yesterday, nearly all of these picks come with some qualifiers. However, there are a more than a few gems to uncover. *As usual, albums must have at least four full … Continue reading
For the second day in a row, JYP Entertainment has dropped a pre-release for one of its groups. This time it’s NMIXX, who are due to make a summer comeback next week. Roller Coaster is one of two new tracks, and jettisons their “mixx pop” sound in favor of subdued dance music that’s much more … Continue reading
When it comes to music videos, JYP Entertainment reminds me of that famous Oprah meme: “You get a car! And YOU get a car! AND YOU GET A CAR!” The agency has become very generous when it comes to promotion, pairing so many of its artists’ b-sides and pre-releases with full music videos. On the … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. U-KISS’s fifteenth anniversary album is slavishly … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I like Sung Kyu’s Small Talk … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2023 Overall Thoughts In the coming days, I’ll be sharing my top picks from the … Continue reading
The Bias List // K-Pop Reviews & Discussion 