K-pop is littered with acts who – for one reason or another – didn’t get the full spotlight they deserved. I’ve spent plenty of time ranking and reviewed the industry’s biggest artists, but these underrated acts should never be forgotten. This feature will take a look at disbanded groups and rank/rate their entire singles run, … Continue reading
Let’s get the elephant out of the room first. Since I last wrote about MADEIN, member Gaeun withdrew from the group after alleging sexual harassment from the CEO of the group’s agency. Given 143 Entertainment’s messy reaction and the general repulsiveness of the allegations themselves, I understand why you might want to stop reading now … Continue reading
With Lady Gaga’s excellent Abracadabra being rapturously received around the globe, there’s a tantalizing feeling in the air that big shiny choruses and grandiose ideas may just be coming back to pop music. Us K-pop fans know any global trend takes a bit of time to filter down to the industry, but Born Again is … Continue reading
Performance videos don’t always warrant a full review on this site, especially when they’re supporting follow-up tracks rather than fully-promoted titles. However, I know how popular BABYMONSTER’s music has become and assume fans may want a space to discuss the merits of Billionaire. This song follows five (!) other promoted tracks on the album — … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
OnlyOneOf are among the most compelling artists working in K-pop right now, but I have a bone to pick with their agency. The group rarely releases new music, touring incessantly instead. I’m happy they continue to visit a multitude of countries (I’ve gotten to see them twice) and I’m sure that’s where the bulk of … Continue reading
Across several releases in 2024, RESCENE proved themselves an exciting rookie act capable of offering a somewhat different sound than most of their peers. K-pop’s girl groups are stuck in a very airy (often “beige”) style of muted pop music at the moment and I’m waiting for a new voice that popularizes a change in … Continue reading
Mamamoo’s Moonbyul impressed with a series of strong singles last year, taking her solo music in directions I wouldn’t have expected. Now, she’s extending that victory lap to new markets with her first Japanese single Aurora (ほしあかり). The song sees her playing in relatively safe genre spaces, especially given Japan’s love for this style of … Continue reading
ALL(H)OURS joined January’s pre-release rush with the underwhelming Graffiti, but teasers for new title track Gimme Gimme seemed to promise a return to the pounding dance sound of last summer’s Shock. In this current K-pop climate, it’s more important than ever to develop a distinct sonic identity and ALL(H)OURS would do well to hitch their … Continue reading
While “virtual” artists are incredibly popular and common in Japanese music, PLAVE have carved out their own niche in Korea. I still don’t understand why or how they’re as successful as they are, but I’m certainly not going to begrudge fans for enjoying their content. As usual, my commentary focuses on the music itself and … Continue reading
IVE have built a sizable portion of their singles run around iconic samples, from Gloria Gaynor’s I Will Survive to Blackstreet’s No Diggity to Ryuichi Sakamoto’s Merry Christmas, Mr. Lawrence. These interpolations have almost become a concept of sorts, and new single Attitude follows suit by borrowing the iconic hook from Suzanne Vega’s Tom’s Diner. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2025 Overall Thoughts It’s a new year! But it… kind of doesn’t feel like it … Continue reading
When it comes to my favorite songs of a year, there are two categories. There are those songs that come from artists who go on to release more incredible material, thus making them an act I follow closely. Then, there are the flukes. The one-offs. TRENDZ have some decent singles in their discography, but as … Continue reading
Because of MBC’s unprecedented decision to air their Gayo Daejejeon over two nights this year, my recap and ranking will also be divided into two parts. Make sure to check out part one for my general thoughts on the festival as well as a personal ranking of the best performances of night one. Now, it’s … Continue reading
Less than a week after surprise dropping pre-release single ZEN, BLACKPINK’s Jennie is already back with the second taste of her upcoming album. Teasers so far have promised a host of guest artists featuring on the project, and Love Hangover invites American singer/rapper Dominic Fike as duet partner. As I anticipated, the track offers a … Continue reading
Yes, you read that title right. We are going back to 2024 for two nights with MBC’s (delayed) Gayo Daejejeon. This end-of-year festival was filmed on New Year’s Eve, but its broadcast was postponed after the tragic Jeju Air Crash. At the time, I assumed the festival would air a week — maybe two — … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Every boy group worth their salt … Continue reading
As a spin-off to my Battle of the B-sides feature, I’m pleased to announce the arrive of “Battle of the Title Tracks!” In this feature, I’ll be pitting three K-pop title tracks/singles against each other and choosing a winner. These songs will mostly be from pre-2016 since I’ll try to focus on music I haven’t … Continue reading
(G)I-DLE’s Minnie released her solo debut album last week, led by two promoted tracks that did little for me. However, the album grows stronger as it goes on, climaxing with its best song. That song has now been given its own video featuring WayV’s Ten, who duets with Minnie on Obsession. I can’t claim to … Continue reading
Super Junior’s Eunhyuk made his idol debut nearly twenty years ago. Across those decades, he’s been active in sub-units and even released a couple solo tracks. However, he’s never delivered a solo album. With the release of Explorer, he’s finally taken the plunge. And like any artist should, he’s taken this opportunity to develop a … Continue reading
The Bias List // K-Pop Reviews & Discussion 