At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
It’s been awhile since we’ve heard from the Way Better agency, whose roster expanded last year. Lim Sejun re-debuted as a soloist with the pleasant Summer last May but hasn’t promoted since. New singer Pray For God is a very different beast, its synth sound feeling much more aligned with agency masterminds from20 and Hello … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2025 Overall Thoughts The other day, I commented on Twitter/X that K-pop was struggling to … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Victon’s Lim Sejun kicks off his solo career under a new agency. He’s one of a handful of artists to sign to Hello Gloom and from20’s Way Better, turning the once-fledgling company into a boutique agency. His first single Summer takes advantage of these new connections, co-written/produced by both Hello Gloom and from20. In K-pop’s … Continue reading
The Bias List // K-Pop Reviews & Discussion 