At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Despite hailing from one of K-pop’s biggest agencies, NMIXX’s ascent has been slow and steady. While their debut single polarized fans, the group has surged in popularity with each passing year and started to develop a diverse catalog of sounds. Their singles tend to be very hit or miss for me and often take some … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Yes, you read that title right. We are going back to 2024 for two nights with MBC’s (delayed) Gayo Daejejeon. This end-of-year festival was filmed on New Year’s Eve, but its broadcast was postponed after the tragic Jeju Air Crash. At the time, I assumed the festival would air a week — maybe two — … Continue reading
(Note: If you’re unable to view this post on a phone, please try on another device. I believe the number of video embeds is causing trouble on certain browsers.) Yep, I’m back to writing about K-pop’s year-end festivals. They were some of the earliest events I covered on this blog but over the past few … Continue reading
A few years ago, many of K-pop’s best tracks were buried as b-sides. This year was different, with most of my favorite music promoted as title tracks. I certainly prefer this approach. After all, great songs should be paired with great visuals/choreo whenever possible. However, it made for a slightly less prolific slate of “buried … Continue reading
A few years ago, many of K-pop’s best tracks were buried as b-sides. This year was different, with most of my favorite music promoted as title tracks. I certainly prefer this approach. After all, great songs should be paired with great visuals/choreo whenever possible. However, it made for a slightly less prolific slate of “buried … Continue reading
K-pop has been a singles-driven market for awhile now, but that only seems to be truer with each passing year. Either comebacks don’t have enough songs to be called an “album,” or the b-sides are clearly designed to pad a tracklist rather than stand out on their own. With that said, there were a handful … Continue reading
Now that I’ve taken a look at the new acts that dominated 2024, it’s time to focus on their established counterparts. Though my favorite group of the year was a rookie, most of my favorite music came from artists who debuted in years prior. As usual, the criteria is built around these three factors: Quality … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
I vastly underrated NMIXX’s January title track Dash, which quickly grew on me and just kept growing over the course of the year. When given great material, this group has unlimited potential. However, JYP Entertainment seems intent on throwing the musical encyclopedia at them, trying every angle they can to see what sticks. Pre-release SICKUHH … Continue reading
While 2024 has delivered quite a few standout singles so far, I haven’t been as blown over by the albums. Still, I was surprised how many I was able to cobble together. Unlike in the past, I’m not distinguishing between mini and full albums, though albums must have at least four full songs to be … Continue reading
The JYP family has joined forces for a song advertising Coca-Cola because… why not? Patriarch J.Y. Park has written a real Frankenstein of a track that somehow fails to utilize any of the artists’ skills while digital artists work overtime to jarringly place them within expensive, virtual reality landscapes. None of this makes me thirsty … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2024 Overall Thoughts Well, what a nice surprise this month has been! After many years … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I seemed to be less enthralled … Continue reading
Along with labelmates ITZY, NMIXX’s album has been preceded by a few pre-releases. First was December’s Soñar (Breaker), a song that has grown on me since its initial release. Then came Run For Roses, one of the group’s most striking songs yet. Pre-releases are a good way to build momentum, but they can also put … Continue reading
JYP Entertainment releases so many music videos and performance videos and extended teasers that it’s become difficult to know which songs to write about on this blog! Run For Roses was first performed last year and isn’t the title track for NMIXX’s upcoming album, but it’s a compelling taste of what’s to come. Run For … Continue reading
The Bias List // K-Pop Reviews & Discussion 