If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. HWANG HYUN … Continue reading
Though they’re still early in their career, Pristin have quickly become known for their bright, light-hearted pop style. Most groups don’t venture out to sub-unit activities until several years into promotion, but it seems that these girls are already hungry to display their versatility. Place Pristin V’s Get It (네 멋대로) next to the full … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Bumzu Years … Continue reading
Hundreds (if not thousands) of songs are released each year in Korea, but only a fraction receive full title track promotion. This leaves behind many buried treasures in need of a spotlight. Here are forty of 2017’s best: + Make sure to check out the rest of the year-end countdowns here! 40. TWICE – 24/7 A … Continue reading
For me, the arrival of rookie groups can often be more exciting than the work of their established peers. I love nothing more than discovering a new artist and witnessing their potential unfold as they grow. 2017 was a year without any major agency debuts, making the rookie field much more competitive. Like last year, … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2017 Overall Thoughts August was a weird month. Based on prior releases, if you would have … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Pristin’s debut album didn’t really do much for me, but … Continue reading
Pristin’s debut track Wee Woo seemed to grow on many listeners, but my experience was a bit different. The song remains dangerously catchy, but its more grating elements haven’t aged well. In some ways, I’m actually surprised that the group’s music is performing as strongly as it is. The cutesy, childish influences that permeate their … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2017 Overall Thoughts Oh, March. It’s such a long month, yet gives us so little when it … Continue reading
Now that Pledis Entertainment has hit big with Seventeen and revitalized their standing as a k-pop powerhouse, the agency is banking on the same successful trajectory for its new girl group, Pristin. Things certainly seem promising. Among Pristin’s ranks are several girls from the mega-successful Produce 101 series, including Pinky and Nayoung who actually debuted … Continue reading
The Bias List // K-Pop Reviews & Discussion 