At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
After breaking into the big leagues last year, QWER have been a reliable fixture on the Korean charts. Korea loves a rock band with a quirky, indie sound and QWER fill a void. As far as chart success is concerned, they feel like the female DAY6 at the moment. In addition to their off-kilter material, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2025 Overall Thoughts We’re now at the midpoint of 2025, which means I’ll be publishing … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
QWER have quickly vaulted to the status of Korean chart royalty. Their style of bright pop/rock made a major breakthrough last year with T.B.H and they’ve managed to keep that momentum going with follow-ups. If you squint just a bit, you can make out sounds from Bias List favorites GFriend and Lovelyz within their catalog, refashioned … Continue reading
Now that I’ve taken a look at the new acts that dominated 2024, it’s time to focus on their established counterparts. Though my favorite group of the year was a rookie, most of my favorite music came from artists who debuted in years prior. As usual, the criteria is built around these three factors: Quality … Continue reading
With QWER’s TBH still riding high on digital charts, the group is back with a new album. This was preceded by the comedic Fake Idol, which featured (G)I-DLE’s Soyeon in its video. This time around, she’s active behind the scenes, co-writing/producing new single My Name Is Malguem (내 이름 맑음). QWER’s Manito mini album showcased … Continue reading
With mega-hit songs like aespa’s Supernova and TWS’s Plot Twist sucking up the oxygen for female and male idol groups this year, we can’t forget to mention the incredible fortunes of QWER’s latest single TBH. Hailing from a little-known subsidiary, this all-female rock group has been lodged in the top ten for much of 2024. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2024 Overall Thoughts K-pop years aren’t always frontloaded, but January was so strong that its … Continue reading
One huge difference between the K-pop and J-pop markets is the presence of rock music in idol culture. Obviously, there are rock groups in Korea that perform on weekly idol music shows, but the genre is far less present in the mainstream. Because of this, project group QWER’s sound feels much more Japanese. They even … Continue reading
The Bias List // K-Pop Reviews & Discussion 