This May, A.C.E released one of 2019’s most thrilling title tracks: the rock-tinged, attitude-driven Under Cover. The guys seemed to have found their niche, taking the intensity of their debut-era material and fusing it to a complex, inventive instrumental. Their new release Savage (삐딱선) proves why I’m so adamant about idol groups finding the right … Continue reading
So far, PSY’s P-Nation label has emerged with a whimper instead of a bang. After his own album was postponed from its original July release, the agency made an inauspicious debut with Crush’s Nappa. That song was fine, but par for the course when it comes to Crush releases. Despite doing well on digital charts, … Continue reading
With a title like “Dumb Litty,” the only feeling I could muster around the lead-up to KARD’s new single was morbid curiosity. How bad would it actually be? Yeah, I pre-judged this thing pretty hard. But, the group is coming off the swaggy noise attack of Bomb Bomb, one of the year’s most obnoxious title … Continue reading
To say that Lay’s solo music is not for me would be an understatement. Apart from a solid track here or there, I find that most of his work represents the worst of what modern-era pop has to offer. It’s hookless, joyless and utterly devoid of originality. Fun fact: he’s the owner of the lowest-rated … Continue reading
After School‘s Raina was on the cusp of quite a solo career a few years ago with the release of mega-successful duet A Midsummer Night’s Sweetness. But like After School itself, that momentum was blunted by a lack of actual releases to follow it up. Flash forward three years and Pledis Entertainment has given her … Continue reading
How can a song featuring so many esteemed and exciting artists end up being so dull? In theory, Born To Be Wild should be a momentous hodgepodge of cross-agency collaboration, but it’s ultimately just as messy as its parentheses-filled title. I applaud SM for reaching out to artists and producers from competing agencies. I have … Continue reading
Listening to How’s This? (어때?), it’s hard to believe that HyunA’s Red was one of my favorite k-pop songs of 2014. Since then, the quality of her music has seemed to devolve with each passing release, culminating in what I hope is her low point. “How’s This?” — she asks us? Well, it’s pretty darn … Continue reading
I want to preface this review by saying that 1PUNCH’s debut was one of my favorite kpop tracks of last year. Because of that, I’ve been following Punch since the duo’s disbandment. I think he has incredible potential and I’m really pulling for him. I say all this to clarify that I bear no ill-will … Continue reading
I have a slight confession to make. Of all the major kpop girl groups, I’ve just never been able to get into 4minute’s music, and I find that baffling. I did love their entire Crazy mini album last year and Hyuna’s Red was one of my favorite tracks of 2014. They have so many of … Continue reading
SUS4 debuted last year without much fanfare, and have since lost two members to become a three-piece. None of this is particularly encouraging news, but they’re back with their second digital single Pick Me Up. This time around, the girls have gone for a lighter version of the upbeat, girly pop that’s made groups like … Continue reading
Nugu girl group FlaShe, previously known for their cute releases, have succumbed and crawled down the sexy route. Unfortunately, Lip Bomb is kpop firing on half-cylinders. The song itself isn’t bad, despite sounding like a copy of a Brave Brothers’ track, but the production definitely lets it down. In order to stand out in the … Continue reading
