Fantagio’s LUN8 have pinballed from trend to trend, not yet landing on a sound that distinguishes them from K-pop’s always packed crowd of rookie acts. New single Butterfly (나비) shifts style yet again, though this time they’re attempting something a bit more ambitious and unique. This transformation comes alongside a shift in members. One has … Continue reading
After years of waiting for JYP Entertainment to debut their team from 2021’s LOUD survival series, KickFlip were one of my most anticipated new acts of 2025. Unfortunately, I haven’t been able to connect with their music so far. I was hoping the songs would grow on me with time, but if anything the opposite … Continue reading
When last we heard from POW, they were interpolating the chorus of Avril Lavigne’s Girlfriend to middling effect, diluting that song’s power with too many overused K-pop tropes. Now they’re back with a special digital single that’s much more of a stripped back affair. If this month was delivering new K-pop comebacks with any regularity, … Continue reading
With the debut of SM Entertainment’s new girl group just around the corner, Starship Entertainment has lodged a stealth attack by pre-releasing music from their upcoming girl group KiiiKiii first. Given the agency’s huge success with IVE, all eyes are on KiiiKiii’s emergence in the industry. And if I Do Me is any indication, the … Continue reading
I:MOND made their debut last summer but completely passed me by, as fledging rookie groups occasionally do. Now they’re back with their first mini album and title track Wonderland (원더랜드). Interestingly, the group are independently managed without the backing of a label. That’s pretty rare in K-pop’s idol landscape and certainly makes me want to … Continue reading
The month (year?) of BLACKPINK solos rolls on with the release of Jisoo’s second single and first since cutting ties with YG Entertainment for her solo efforts. So far, that decision has played well for every other BLACKPINK member, and given the lukewarm nature of 2023’s Flower Jisoo has plenty of room for musical improvement. … Continue reading
I often consider Boyfriend one of K-pop’s most underrated acts, especially when it comes to international fans. While they may not have ever reached the A-list, their run with Sweetune remains as epic as any of their contemporaries. Unfortunately, once they started to work with other producers their sound took a noticeable dip. We’d still … Continue reading
After taking Korea by storm in the spring of 2024, ILLIT’s Magnetic went on to see great success in markets like Japan. It only makes sense that they’d expand their career there, especially given HYBE’s existing infrastructure in the country. Almond Chocolate sees them getting in on the lucrative OST business, closely mirroring the sound … Continue reading
Let’s get the elephant out of the room first. Since I last wrote about MADEIN, member Gaeun withdrew from the group after alleging sexual harassment from the CEO of the group’s agency. Given 143 Entertainment’s messy reaction and the general repulsiveness of the allegations themselves, I understand why you might want to stop reading now … Continue reading
Performance videos don’t always warrant a full review on this site, especially when they’re supporting follow-up tracks rather than fully-promoted titles. However, I know how popular BABYMONSTER’s music has become and assume fans may want a space to discuss the merits of Billionaire. This song follows five (!) other promoted tracks on the album — … Continue reading
OnlyOneOf are among the most compelling artists working in K-pop right now, but I have a bone to pick with their agency. The group rarely releases new music, touring incessantly instead. I’m happy they continue to visit a multitude of countries (I’ve gotten to see them twice) and I’m sure that’s where the bulk of … Continue reading
Across several releases in 2024, RESCENE proved themselves an exciting rookie act capable of offering a somewhat different sound than most of their peers. K-pop’s girl groups are stuck in a very airy (often “beige”) style of muted pop music at the moment and I’m waiting for a new voice that popularizes a change in … Continue reading
Mamamoo’s Moonbyul impressed with a series of strong singles last year, taking her solo music in directions I wouldn’t have expected. Now, she’s extending that victory lap to new markets with her first Japanese single Aurora (ほしあかり). The song sees her playing in relatively safe genre spaces, especially given Japan’s love for this style of … Continue reading
(G)I-DLE’s Minnie pre-released a song from her new album earlier this month and now its title track HER has been unveiled as she makes her official solo debut. She’s the fourth member of the group to venture out on her own, and rather than reinvent the wheel HER sounds like something you’d hear on any … Continue reading
After years of waiting since their stint on 2021’s competition show LOUD, KickFlip unveiled their frustratingly repetitive pre-release Umm Great earlier this month. And with the release of their mini album today, they become 2025’s first major debut act. As I stated back in Umm Great‘s review, I had hoped this group would balk current … Continue reading
GOT7 has been a good model for how you keep an idol group going even after its members have moved on to solo endeavors. All seven left JYP Entertainment in 2021 but have managed to come back together several times with new music. We haven’t heard from them since 2022, making the release of Python … Continue reading
Rookie boy group ALL(H)OURS has been in the news recently, as K-pop titan JYP Entertainment recently listed their agency as a subsidiary. I’m not sure what this means when it comes to company resources, but it does get their new release plum placement on JYP’s YouTube channel. Given this development, it’s the perfect time for … Continue reading
Angsty rock influences seem to be a major driving force in recent boy group material, following in the footsteps of TXT’s successful rock makeover in 2021. The latest group to mope around with guitars is WEi — an act who has changed styles more than once throughout their idol career. Unfortunately, new single Not Enough … Continue reading
“Special” albums can mean a few things in K-pop. For GFriend, it meant two new songs. Today, for ONEUS it means a handful of new material and a ton of re-recorded hits with their current five-member configuration. Last month’s Rupert’s Drop is also included in the tracklist, while IKUK acts as the title track. Buoyed … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! You Are My Star (from Time For The Moon Night – 2018) You Are My Star is one of those glistening mid-tempo (almost ballad) tracks that often arrive toward the end of an album. In this case, Star closes the Time For … Continue reading
The Bias List // K-Pop Reviews & Discussion 