By any metric, it’s hard to argue that Seventeen aren’t the biggest K-pop act currently active. With this in mind, I keep waiting for another new single to wow me in the way so many of their past songs have. Maestro‘s chorus was an unsatisfying tease while last year’s God Of Music was pleasant but … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Bye (from Time For The Moon Night – 2018) We’re back in ballad territory with the gentle Bye. Its orchestral opening sounds ripped straight from a Disney soundtrack about fairies. I don’t mean that in a bad way, though the approach will … Continue reading
JD1 feels like one of those acts who are much more popular in Korea than abroad. This often pairs with music that sounds less internationally-minded, though his first two singles were palatable enough to appeal to a wide swath of listeners. As far as I’m concerned, he’s two for two so far. New single Be … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Better Me (Sowon & Umji) (from Walpurgis Night – 2020) For their final album, the group recorded tracks as units. Better Me sees Sowon and Umji taking a much more hip-hop influenced approach, which is cool but also a strange fit for … Continue reading
I’m not deep enough into the BTS fandom to know this song existed prior to today, and I’m not even sure it warrants a review given its irreverence. However, new BTS releases are few and far between these days, and this is technically Jin’s first (though not new) song since being discharged from the military. … Continue reading
Billlie have a new album out later this month, their first Korean release in about a year. And as is the fashion lately, they’re kicking off promotions with a pre-release track. Trampoline merges their quirky worldview with the subdued nature of 2024 girl groups, adding a jazzy flair for good measure. This will make for … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Beautiful (from Fallin’ Light – 2019) The piano arpeggio that opens this track is gorgeous and promises a sense of dynamism that never quite materializes. The instrumental shifts as we hit the first verse and the track transforms into… for lack of … Continue reading
Back in 2008, J-pop superstar Namie Amuro released the triple A-side 60s 70s 80s, where she recorded three songs inspired by those titular decades. My favorite was the 80’s-tastic What A Feeling, but the 60’s pastiche New Look wasn’t far behind. For their new single, Twice’s Japanese sub-unit Misamo have covered that track, tossing away … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! A Starry Sky (from Time For Us – 2019) The crystalline chimes that open this ballad feel like a good starting point for this K-Pop A-Z feature. If GFriend are defined by their “powerful innocence” concept, A Starry Sky sees them tackle … Continue reading
TVXQ are celebrating the twentieth (!) anniversary of their Japanese debut with the upcoming release of new album Zone. Before that, its lead single Sweet Surrender has been pre-released alongside a music video. The guys have steadily promoted since their 2017 return from the military, but to be honest it’s been a few years since … Continue reading
3piece are one of those very under-the-radar acts hampered only by their lack of notoriety and resources. Their debut single borrowed sonic touchstones from K-pop’s past (namely, tropical pop), which definitely appeals to me. However, the music missed the extra spark that a bigger budget could likely add. New single Light Up (피어올라) follows a … Continue reading
ASC2NT debuted earlier this year with the groovy Love Me Do, displaying an impressive set of vocals and a relatively old-school approach. New single Sweet Devil gives them a bad boy makeover, mixing rock and hip-hop elements into the brew. While this showcases their versatility, the song tends to blend with many similar boy group … Continue reading
Kiss Of Life have quickly become one of K-pop’s buzziest acts and their ascent seems to have come about naturally. They’re not from a major agency, but their producers seem to have their finger on the pulse of popular sounds. In a K-pop summer devoid of big hits, their Sticky became an emblem of the … Continue reading
It’s always interesting to measure the lag between a very popular western pop song and the inevitable K-pop progeny. I’m not sure Lisa’s solo material can be considered “K-pop” given its language and her nationality, but you can definitely hear how new single Moonlit Floor echoes the approach of Sabrina Carpenter’s breezy global smash Espresso. … Continue reading
ATEEZ have kept a relatively consistent style between their Korean and Japanese work, even when collaborating with J-pop act BE:FIRST for a couple of songs. New single Birthday doesn’t upend this pattern, keeping their core production team and riffing off elements similar to their past few albums. The problem, of course, is that I didn’t … Continue reading
WayV released their first Japanese mini album all the way back at the beginning of August, but weeks later they’ve unveiled a music video for its promoted track Go Higher. I’m not sure what the plan was behind this delay, apart from the fact that J-pop often takes long breaks between various promotions. Either way, … Continue reading
I’ve written about NCT Wish nearly every week in September. Their first mini album has been preceded by two pre-releases and now we’re finally hearing the official title track. Steady is co-written by longtime SM Entertainment talent Kenzie and sees the group tackling their trendiest material yet. Both UK garage and Jersey Club have become … Continue reading
With QWER’s TBH still riding high on digital charts, the group is back with a new album. This was preceded by the comedic Fake Idol, which featured (G)I-DLE’s Soyeon in its video. This time around, she’s active behind the scenes, co-writing/producing new single My Name Is Malguem (내 이름 맑음). QWER’s Manito mini album showcased … Continue reading
You know… P1harmony’s music really frustrates me sometimes. They’ve developed this habit of hiding excellent material as b-sides while promoting their most gimmicky tracks. February’s Killin’ It album was quite strong, but the title track didn’t feel representative or fresh. Judging by the highlight medley for their newest comeback, I fear this pattern continues. Sad … Continue reading
“SOS” feels like a strange but fitting title for this Fifty Fifty comeback (re-debut?). With controversy and calls for boycotts swirling around this new configuration, everyone involved — from past members to current members to agency underlings — likely have “SOS” swirling around their heads. I’m sure some will be upset that I’m writing about … Continue reading
The Bias List // K-Pop Reviews & Discussion 