BTS members’ enlistment-era comebacks have been so meticulously planned that they even incorporate pre-release singles and music videos. Jimin returned late last month with the quirky Smeraldo Garden Marching Band, a song that sounded nothing like he’d ever recorded before. In contrast, title track Who sees him take on a more conventional dance pop role. … Continue reading
Stray Kids seem poised to dominate the second half of July with the release of new album Ate alongside a track on the sure-to-be-blockbuster Deadpool & Wolverine movie. That corporate synergy even extends to the music video for title track Chk Chk Boom. Of K-pop’s many global successes, Stray Kids are at the tip top … Continue reading
I never know whether or not to write about K-pop’s CF songs. You can’t really approach a commercial advertisement with the same criteria as a title track, yet as a piece of music these songs often follow the same approaches as other K-pop songs and occasionally eclipse them. TXT’s Open Always Wins is a collaboration … Continue reading
We hear more Mamamoo solo releases than group comebacks these days, which isn’t surprising given their standing as a veteran idol act. These solo tracks tend to be quite varied — both in sound and execution. Moonbyul impressed earlier this year by swerving in new directions, while Solar delivered both the expected and a sonic … Continue reading
Fresh off their pre-release Burn It, FTIsland are back with the title track of their seventh (!) album. This is a band firmly in control of their sound — an established pillar in the industry. To my mind, this confidence makes the perfect excuse to experiment with new approaches, but Serious sees them delivering a … Continue reading
When BADVILLAIN made their debut last month, that self-titled track captured me with its symphonic bombast. However, it quickly did a nose dive on my playlist, proving that exciting production can only take you so far when the song itself is mostly just shouty posturing. I’m (im)patiently waiting for the day a new group can … Continue reading
Nine years into their career, Twice continue to straddle the line between various music markets, frequently releasing work in Korea, Japan and internationally. New single Dive heralds their latest J-pop album, hinting at a more mature summer sound. Twice have released their share of bangers in Japan, often mirroring the soundscapes present in their Korean … Continue reading
Today has delivered several new summer tracks and GOT7’s main vocal Youngjae is here to offer something a little more subdued and groovy. Rather than the soundtrack to a beach party, T.P.O feels like the song you’d play on the way home as the sun is setting. With this as a mission statement, T.P.O is … Continue reading
Taeyeon’s To. X became a long-lasting hit on Korean charts, proving her continued dominance even sixteen years into her career. To tide fans over between albums, she’s dropped digital single Heaven. Its frothy disco pop sound is worlds away from To. X‘s downbeat confessional. I’ll admit this right away: I’m tired of this chill, vanilla, … Continue reading
While there have been plenty of great title tracks so far this summer, we haven’t heard many that are explicitly themed to the season. (G)I-DLE are here to fix that with new single Klaxon (클락션). Following 2020’s DUMDi DUMDi, the girls are back with another summer track that hearkens back to K-pop’s distant past. The … Continue reading
With so many K-pop acts releasing Japanese material this week, CSR’s Higher almost got lost in the shuffle. But a day late, it’s time to feature the song. This quickly follows their latest Korean comeback, released only a few weeks ago. If ever there was a group primed for the Japanese market, it has to … Continue reading
The guys of iKON have slowly been establishing solo careers now that they’re free from YG Entertainment’s shackles. JU-NE has previously recorded a few OSTs, but Feel Lost (나 홀로) and accompanying mini album Bruise mark his official debut. The song sees him adopt a rock approach, melding guitar with funky rhythms. As a guitar … Continue reading
Rookie group VVUP have a mixed batting average so for, often let down by the production fueling their songs. They’re back with a summer single today, and that instantly perks up my attention. Sadly, Ain’t Nobody (에인트 노바디) hinges on many overused musical and conceptual tropes of the moment. The song is built upon a … Continue reading
Soloist Lee Chaeyeon has developed a quirky discography, taking advantage of her skills as a dancer to find upbeat rhythms that lodge themselves in your brain. Though most of her material has been solid, I wouldn’t say it’s had a consistent sound or energy. New single Don’t flips things once again, offering her take on … Continue reading
Though it wasn’t everyone’s preferred style for the group, I loved STAYC’s transformation into bubblegum pop last year. It provided a nice counter to many of the year’s subdued, cooler-than-cool trends. Judging by its title alone, Cheeky Icy Thang seemed poised to continue this run. I’d love nothing more than a campy summertime anthem from … Continue reading
The parade of post-enlistment BTS solo projects continues with a pre-release from Jimin, leading up to a full album in July. I had to look up what a “smeraldo” is (it’s a type of flower), but apart from that brief confusion the title “Smeraldo Garden Marching Band” instantly reminded me of The Beatles’ Sgt. Pepper’s … Continue reading
BLACKPINK members have managed to sustain their global popularity despite a dearth of actual music. The long wait between releases adds mystique to their name, ensuring every group or solo track incredible chart success. In Lisa’s case, a song doesn’t even have to be an official single to smash. 2021’s Money trended for many months … Continue reading
The ambitious tripleS project is growing and multiplying faster than NCT ever did, with new units seeming to emerge every month. tripleS Glow is composed of members Chaewon, Sullin, SeoAh and JiYeon and they debuted with Inner Dance (내적 댄스) last week. Now, they’ve released a performance video to add a visual aspect to the … Continue reading
K-pop legend Kim Jaejoong’s J-pop career has been continually active, but it’s been two years since he last released a Korean album. He’s made the comeback worth the wait with a full thirteen-track opus, including guests as diverse as Mamamoo’s Moonbyul and J-pop star Miyavi. Title track Glorious Day makes for a rousing addition to … Continue reading
Gather round, friends. I would like to recite a poem. The deep meaning behind these words may resonate with you in unexpected ways, so don’t be surprised if your eyes suddenly start to well up. There are tissues in the back of the room if you need them. (clears throat, adopts the poise and phrasing … Continue reading
The Bias List // K-Pop Reviews & Discussion 