KiiiKiii blew up big time this January with their hit 404 (New Era), quickly establishing their place at the forefront of this generation’s girl groups. They’ve also become one of the architypes of K-pop’s current dance trend, blending hyperpop with early-2010s EDM. Personally, the first word that comes to mind when I think of them … Continue reading
HYBE is preparing to dominate the conversation once more with the upcoming debut of TUIDE, the first group under their newly established ABD label meant to cater exclusively to girl groups. The optimist in me continues to hope that a new group means a new sound and concept, but judging by pre-release track GRLS the … Continue reading
Just like NewJeans’ soft, lightly experimental sound went on to influence years of girl group releases in their wake, I fear we’re about to see the same with Cortis’s success. Hopefully, this will be more REDRED than Acai, but either way I’m worried this means even less melody/theatricality/singing and shorter songs for K-pop in the … Continue reading
Stray Kids announced their latest mini album well in advance, first teasing it with the release of its opening track Run It back in June. That song offered an interesting branch away from the core Stray Kids sound, attempting a more World Cup, anthemic energy. I thought this might mean they would take a big … Continue reading
WHIB are back with their second mini album of the year and their concept couldn’t be more different than January’s Rock The Nation. Such is the case with idol groups trying desperately to break out: throw anything you can at the wall and hope to god that something sticks. This tends to be a risky … Continue reading
Starship Entertainment’s new boy group AEN debuts as a hybrid K-pop/J-pop group, releasing versions of each song on their album in both languages. As someone who prefers having a “definitive version” of a song, I’m not usually a fan of tracks recorded in multiple languages, but I understand the commercial strategy behind it. At any … Continue reading
Dayoung has carved out a nice little career as a soloist, which is probably for the best since it doesn’t seem like Starship Entertainment will ever promote a WJSN comeback again. Her material has pulled strongly from 2000s R&B, making her team-up with Jay Park feel like a natural pairing. The two join forces on … Continue reading
When last we heard from Kiss Of Life back in April, they were mining a Y2K sound the way so many of their peers have done over the past few years. Y2K has been one of their musical inspirations since debut, but they’ve found most success with sultrier summer fare like 2024’s Sticky. New single … Continue reading
EMOTI:M are a new boy group from DNA Entertainment, the agency that used to manage the prolific (yet eternally nugu) GreatGuys. While it’s too early to tell if EMOTI:M will release as much material as their predecessors, they’ve certainly got the “nugu” part mastered with debut single Spark. I’m always happy to see boy groups … Continue reading
K-pop is well known for latching onto a specific musical trend (usually a year or two late) and refusing to let go until they’ve drained the sound for all its worth. This is fine if we’re dealing with a fun, malleable trend, but becomes increasingly maddening when the trend is narrow and poorly executed. It’s … Continue reading
It’s been well over a year since we last heard from The Wind. Since then, their agency has partnered with a new management company to shift the group’s sound with an eye on global markets. Yes, The Wind are following the path that 99.9% of bright, melodic boy groups eventually succumb to. They’ve ditched their … Continue reading
The best thing I can say about POW’s material so far is that they’re doing their own thing. Their music has been quite trend-averse and hasn’t drawn attention to itself, which is rare in K-pop. To me, they feel like an indie group who just happen to be working within the idol system. New single … Continue reading
Fresh off the aural hell that was Iconic By Mistake, Katseye are continuing their new EP rollout with Animal. Thus far, the group has pinballed between gimmicky ragebait and ultra-generic pop, making their overall identity a mystery. Their sweet spot likely lies somewhere between both extremes, but their producers have struggled to find it. Animals‘s … Continue reading
One Pact have been swimming upstream since debut, fighting against an increasingly monolithic agency system that doesn’t afford many chances for acts from small-to-mid companies. Any residual Boys Planet buzz has long since faded and they’re left to fend for themselves. To their credit, they’re a largely self-produced group, making it easier to take matters … Continue reading
Fresh off a funny little foray into country music last year, J.Y. Park has returned to his bread and butter. New single Wet acts as a theme to this year’s Waterbomb Festival and also pulls him back to the dancefloor, recalling vinyl pants of days gone by. Of course, this is an artist now well … Continue reading
Hyolyn has become synonymous with summer, first as a member of Sistar and then as a solo act. She’s leveraged that position once again for a new mid-summer album but isn’t playing into obvious summer tropes. New single ChecK could be played year round as long as you’re in the mood for some more Y2K … Continue reading
U-Know is one of a handful of idols now working in his third decade as a performer. That’s rarefied air and a huge achievement for any pop star. He didn’t make his “official” solo debut until 2019, but has steadily been releasing material since then. Time’s Tickin’ is his new single album and continues to … Continue reading
BTS have been drip-feeding music videos from their comeback album Arirang, releasing the most recent ones as Spotify premium exclusives. This limits their audience to paying Spotify listeners (which I am not), but they’ve also uploaded the new mv for Normal on YouTube, thus earning them a write-up here. I can’t say I’m excited for … Continue reading
Over the next few weeks, there are a number of female acts scheduled for comebacks who have reliably delivered summer bangers in the past. This raised my hopes for a big summer hit this year, but judging by teasers and full releases I’m striking out so far. BBGirls (formerly Brave Girls) owned summer of 2021 … Continue reading
Not content to simply release solo music in a predictable way, Seventeen’s Dino has debuted as fictional alter-ego Picheolin. This character is the CEO of a music company specializing in retro sounds and we have an entire mini album and multiple singles to look forward to from him during the coming weeks. Joke or not, … Continue reading
The Bias List // K-Pop Reviews & Discussion 