Despite my initial hesitance, &TEAM’s Firework perfected the synth-inflected side of HYBE’s oeuvre. Somehow, that song leveraged the agency’s faceless vocal processing as an asset, tying it to strong hooks and a compelling atmosphere. This success raised the stakes for &TEAM’s first full album, but new single War Cry takes a different approach. Unlike with … Continue reading
Back in 2012 when Bang Yedam stepped on the stage of K-pop Star with a harmonica in his hand and his father accompanying him on guitar, I never pictured him as part of a YG act like Treasure. It always seemed like an odd fit, so when he eventually left the group it wasn’t too … Continue reading
Despite being an early supporter, somewhere along the line Stray Kids’ music began to lose me. It’s a frustration I feel with many of their contemporaries and I’m eagerly awaiting the song or album that brings me back. Unfortunately, new single Lalalala moves in the opposite direction. Lalalala blusters along in true Stray Kids fashion, … Continue reading
As SM Entertainment’s ascendant girl group, aespa have dipped their toes into a variety of musical endeavors. Infrequent Korean comebacks are interspersed with English and Japanese work, guided them on a global pathway to success. However, their sound has been all over the place, as if SM can’t decide whether they want them to be … Continue reading
The idol group name generator must be getting pretty empty because “WHIB” is a strange moniker for a new K-pop group. Apparently, it’s meant to be a combination of the words “white” and “black,” showcasing the guys’ variety of charms. Okay, then! Title track Bang! gets them off to a frustratingly familiar start. Prior to … Continue reading
After a somewhat messy departure from (G)I-DLE and Cube Entertainment, Soojin has returned as a soloist. Re-debut AGASSY sees her following in the footsteps of many girl group members turned soloists. Right away, the song and performance remind me of something we’d hear from Sunmi or BLACKPINK’s Jennie. AGASSY casts an evocative atmosphere, but I find … Continue reading
Earlier this year, Kiss Of Life preceded their debut with a series of solo tracks. Though they were of varying quality, these songs did a nice job introducing the members and building interest in the group. Funny enough, I found their actual debut less successful than many of these pre-releases. Follow-up single Bad News struggles … Continue reading
A.C.E are the latest boy group to make a long-awaited, post-enlistment return. We haven’t heard from them since 2021’s Changer, but now they’ve teased the release of a new album in the coming weeks. Before that, we have special pre-release single Effortless — an English-language track that’s very in line with current trends. For me, … Continue reading
GOT7’s Youngjae previously impressed with groovy tracks Vibin’ and Sugar, belying his main vocal status with more subtle turns that highlighted his skills as a performer. Do It is another restrained vibe, but this time the end product is just too slight for me. Do It would make for nice background music. It’s calming and … Continue reading
Though it took awhile to really hit me, ZEROBASEONE’s In Bloom proved to be one of the year’s most refreshing boy group tracks. Better yet, its accompanying album laid out a consistent style and vibe for the group, merging upbeat pop with hazy, subdued production. Remnants of that sound remain on new single Crush, but … Continue reading
Earlier this year, NINE.i released one of my biggest summer standouts. A large chunk of New Mind‘s success was thanks to the Sweetune-produced magic of its title track Turn It Off, but the entire album was pop excellence. As always, this made me very eager for a follow-up. Luckily, the guys are happy to deliver … Continue reading
Epik High have a long history of notable collaborations, and many of their enduring classics feature vocals from some of K-pop’s most loved artists. But even with this in mind, I would’ve never expected them to pair with Seventeen’s Hoshi. When I see his name, I immediately picture exciting choreography. However, he proves an adept … Continue reading
There’s a long history of K-pop groups debuting in Japan, but the opposite rarely happens. I expect this to change as a new generation of Japanese groups formed and managed by Korean companies make their mark on the industry. NiziU are a JYP act and have been doing quite well for themselves in Japan and … Continue reading
Seeing Taemin at this year’s KCON reconfirmed his utter dominance as a performer. I’ve been lucky enough to watch him with SHINee a couple of times, but few artists can command a stage so completely on their own. He deserves all the hype he gets. With that said, I feel his music is beginning to … Continue reading
Riize’s Get A Guitar has proven to be a huge sleeper hit for me, alongside their very solid pre-debut track Memories. This one-two punch shot anticipation sky high for their follow-up, so when I saw the silly punnery of “Talk Saxy” coupled with the tease of an irritating Jason Derulo style sax loop, I couldn’t … Continue reading
Early visual teasers of LE SSERAFIM’s special Overwatch 2 single Perfect Night had me excited. Their 80’s aesthetic seemed to portend a concept change — maybe a successor to fellow retro girl group tracks La Di Da or I Can’t Stop Me? I mean, isn’t it time the HYBE girls turned up the synths and … Continue reading
It feels like ages since we last heard from GHOST9. After a very promising 2020 debut, the group has swerved from sound to sound — some more successful than others. But after an appearance on this spring’s Peak Time, the guys are back with a new album. Title track Ruckus is yet another transformation for … Continue reading
The idea of a K-pop debut gets more muddled by the year, with pre-releases and pre-debut tracks quite common these days. G.O.A.T doesn’t even bill itself as a proper music video, though it’s the first full taste of upcoming group ONE PACT. These guys have a lot of goodwill behind them, with every member participating … Continue reading
Proving they can (barely) walk and chew gum at the same time, Woollim Entertainment has released a special digital single from Kwon Eunbi during the lead-up to Golden Child’s latest comeback. Longtime fans of the agency will know how rare this double whammy is for the agency! Kwon Eunbi is enjoying renewed attention this year, … Continue reading
About a month after pre-release BYOB (Bring Your Own Best Friend), Billlie are back with title track DANG! (Hocus Pocus). That’s a lot of parenthesis! This one-two shot further establishes them as a quirky group who exist just outside the mainstream. DANG! enlists songwriters Daniel Caesar and Ludwig Lindell among its team of four, and … Continue reading
The Bias List // K-Pop Reviews & Discussion 