Over the past few months, the members of BLACKPINK have blitzed the market with a variety of solo work, making greater inroads to international markets than ever before. However, it’s been a whopping thirty four months since their last group title track. In K-pop’s fast-moving ecosystem, that’s enough time for a literal change in generations. … Continue reading
I enjoy learning about the meaning behind the names of new K-pop acts — especially the stranger ones. As expected, “CrazAngel” is a combination of “crazy” and “angel,” which is quite funny on its own when taken literally. It also means “Craze on Stage, Angel in Life,” which feels like the PG version of a … Continue reading
Cube Entertainment’s NOWZ (formerly Nowadays) are in the middle of a reinvention. And while I initially dismissed last month’s pre-release Fly To The Youth as too lightweight, that song has dug its talons into my brain and emerged as a stealth summer highlight. The group’s new title track Everglow continues the rock soundscape from Fly … Continue reading
One of the most surprising (and welcome) developments of the year has been the strong musical identities of a trio of survival series spawned boy groups. Close Your Eyes, AHOF and NouerA have all debuted with great material that feels unique to them. In Close Your Eyes’ case, the guys bucked expectations by emerging with … Continue reading
NCT Dream’s new album is right around the corner and they’re promoting it with double title tracks. We’ll have to wait to hear Chiller on Monday alongside the album release, but the guys have pre-released opening track BTTF today. The song blends the old with the new, much like the retro-futurism of the music video. … Continue reading
I’ve been riding hard for One Love One Heart ever since their debut in 2022. I truly think their first album LOVE1 is one of the best J-pop albums… ever? It’s been more of a mixed bag since then, but even their most generic J-pop sounds have been buoyed by the natural charm of the … Continue reading
Though VIVIZ’s music has never been able to reach the heights of their work with GFriend, my favorite single and album were released during the summer. The trio’s sweet vocal tones fit the season well. Another team who match summer perfectly is the dynamic duo of producers Daniel Caesar and Ludwig Lindell. They’ve given us … Continue reading
With some exceptions, SM Entertainment has become known for keeping its roster of artists around for the long haul. Super Junior are currently their second-longest running group and celebrate their twentieth (!) anniversary today with a new album. SM’s anniversary projects tend to be great (SNSD’s Forever 1, SHINee’s The Story Of Light series, SuJu’s … Continue reading
When deciding which song off ILLIT’s newest album to feature as a “buried treasure,” I waffled between Oops and Jellyous. I’m glad I chose the former because now I get to write about the newly-promoted Jellyous as well. This is also another chance to wax poetic about how much Do The Dance has grown on … Continue reading
Doh Kyung Soo has one of the richest tones in K-pop, but as with so many great voices his solo music has usually steered toward ballads and coffeehouse-ready midtempos. There’s nothing wrong with that, but the style doesn’t exactly inspire excitement. Teasers of his first full album seemed to promise a more diverse set of … Continue reading
Prior to their comeback at the end of the month, One Pact released an EP of solo songs from each of the members. I won’t be writing about most of them since I don’t have much to say, but Jong Woo’s solo Passout instantly caught my ear and now it has a special video to … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. H1-KEY remain one of K-pop’s most … Continue reading
In the space of two weeks, I’ve gone from not knowing who or what 1VERSE was to being just about ready to sign up as captain of their fan club. You can thank their YouTube channel for that. This is the first act from new agency Singing Beetle, brainchild of former SM Entertainment A&R Michelle … Continue reading
2025 has seen a number of boy group debuts spawned from survival series, and so far they’ve been killing it. NouerA and Close Your Eyes led charge and now it’s AHOF’s turn. This global group was formed on SBS series Universe League and their awkward acronym stands for “All-Time Hall Of Famer.” Time will tell … Continue reading
Debuting in early 2019, ONEUS are inching toward that all-important seven year mark when contracts will be up for renewal. Their presence in the industry has felt more muted these past few comebacks, churning out solid but inessential material that hasn’t quite lived up to their most enduring work. Now, after a series of solo … Continue reading
Earlier this year, NouerA released my favorite debut of 2025 so far. Their N.I.N (New Is Now) was the rare track that fully referenced an old-school K-pop sound — modern global trends be damned! In an era where so many new K-pop songs simply sound like western pop tracks performed in Korean, it was refreshing … Continue reading
Thus far, TWS have stuck with a signature sound for their title tracks and utilized follow-up promotions to showcase a wider spectrum of styles. I like this approach, especially since we all know their particular brand of “boyhood pop” won’t remain the same forever. Their debut Japanese single further teases on the Plot Twist template, … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. CRAVITY deserve praise for releasing a … Continue reading
Sometimes summer highlights emerge from the most unexpected places. Over the past few days, we’ve had a flurry of strong seasonal offerings from some of K-pop’s girl groups, but with My Summer Manual (나의 여름 설명서), the variety show spawned co-ed group JAESSBEE confidently throw their hat in the ring. They’ve got some major firepower … Continue reading
When it comes to K-idol bands, it takes a lot to capture my attention. I’d consider myself a fan of rock music, but it’s not what I flock to the Korean music scene for because I can get my rock fix pretty much anywhere. With that said, Catch The Young have had my attention since … Continue reading
The Bias List // K-Pop Reviews & Discussion 