A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Apart from its brilliant title track, … Continue reading
After twenty-two years in the industry, TVXQ’s U-Know has finally unveiled his first full-length solo album. This project was preceded by Body Language, a track I found disappointing in almost every regard. Thankfully, title track Stretch feels much more aligned with U-Know’s incredible legacy. It’ll never not be weird to hear a TVXQ release minus … Continue reading
It’s hard to believe Sunmi has never released a full-length album until now. If we count her time with Wonder Girls, she’s been an active idol for eighteen years and a soloist for twelve. It’s a shame this album couldn’t have emerged when she was knocking out back-to-back classics like Heroine and Siren, but it’s … Continue reading
In addition to actual debuts, “pre-debuts” have become a thing for K-pop idols. I’m not entirely sure what the point is apart from building hype without taking a huge financial risk, but the more music we get the better so I can’t complain. I.MET.U is an upcoming girl group from (checks notes) TikTok survival series … Continue reading
Even as a fan who’s watched &TEAM gradually rise to “million sellers” in Japan, I was shocked by how well their Korean debut sold. It’s a solid album, and title track Back To Life has grown on me more with each day. The guys are wasting no time keeping the hype train going with a … Continue reading
It’s been over three years since we last heard new music from Winner’s Kang Seung Yoon. During that hiatus, he’s fulfilled his military service and taken time crafting a new full-length album. The fruits of his labor have finally arrived today in the form of new title track Me (美). Though I haven’t fallen for … Continue reading
When Ryugujo’s new EP was released earlier this month I had a feeling Sugar would be given a music video eventually. And while I prefer the bombastic rock tracks Egure Mekure and Yohaku, the fact that this song is now a theme for member Yuki’s new drama makes it the obvious contender for extra promotion. … Continue reading
It’s funny to look back at old reviews of Xdinary Heroes’ work on this blog. I really hated some of their early material, but with time the group has developed stronger songs and found better ways to deploy their humor. Recent single ICU is probably my favorite track they’ve ever promoted, and the accompanying album … Continue reading
More and more with K-pop, we’re seeing a rift form between acts who primarily target Asian markets and those making a bigger push toward Western audiences. Ideally, artists would simply release great music that appeals to everyone, but it’s not uncommon for a performer to release English-language material and tour it extensively in the States. … Continue reading
Though JYP Entertainment’s output had a rough start this year, the agency has been unfurling hit after hit over the past few months. They’re set to finish 2025 strong and that extends to global (but mostly K-pop so far) group NEXZ. I haven’t been a fan of most of their music and new single Beat-Boxer … Continue reading
Since their debut in late 2022, &TEAM have developed a strong Japanese discography. All of those singles have also been recorded and performed in Korean, making it feel like they’ve already made a K-pop debut. But with the release of their first original Korean album, the guys have officially branched out to a new market. … Continue reading
The era of Golden Child’s music dominating this blog came to an abrupt end when the group went on an indefinite hiatus in 2024 as most members left Woollim Entertainment. Since then, the agency has been largely inactive. Joochan’s new solo track Rise & Shine is the rare sign of life from Woollim — a … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I may never have heard this … Continue reading
Over the past year or so, Just B have developed buzz that their infrequent release schedule isn’t taking full advantage of. When we last heard from them this spring, they dabbled in an electronic hyperpop sound that fit them surprisingly well and began to carve out a nice musical niche. A new mini album is … Continue reading
Though Xdinary Heroes’s sound isn’t always for me, I admire their willingness to run full charge into new musical challenges. Their discography is vast and varied and almost always carries a confident energy that helps sidestep even the cringiest of sonic adventures. New single ICU is not cringy, but it’s certainly confident. The guys rock … Continue reading
Despite it only being a single album, LE SSERAFIM and HYBE mean business with Spaghetti. Not only does the song arrive bolstered by a fleet of remixes and alternate versions, but it also boasts a J-Hope co-write and feature. In other words, this ship has been built too big to fail. I guess we must … Continue reading
MiSO is not the kind of big name I would usually write about, but sometimes a song warrants coverage even if most people have never heard of the artist. She was a member of the hilariously-named group Girls Girls, who I actually wrote about all the way back during the first year of this blog. … Continue reading
TXT have gone all out for their new Japanese album, following single Can’t Stop with a second music video for album track Where Do You Go. I really like Can’t Stop and absolutely love my own cobbled together mix that adds a dance break and extra chorus, but of the album’s other new songs Where … Continue reading
Given the time of year, you’d expect more spooky offerings from K-pop comebacks. Luckily, pre-debut group AM8IC is here to fill that void, though they’ve gone for a more upbeat, funny version of Halloween tropes. Like Dongkiz (DKZ) back in 2019, they’ve taken inspiration from the iconic Ghostbusters franchise. For me, this almost always ends … Continue reading
After a series of survival series, BAE173 are trying to make a comeback in the most classic sense, reestablishing the buzz they had upon debut with a new album and series of promotional tracks. Title track Turned Up has been available for a week now, along with (most of?) the album for some reason. I’m … Continue reading
The Bias List // K-Pop Reviews & Discussion 