JYP Entertainment releases so many music videos and performance videos and extended teasers that it’s become difficult to know which songs to write about on this blog! Run For Roses was first performed last year and isn’t the title track for NMIXX’s upcoming album, but it’s a compelling taste of what’s to come. Run For … Continue reading
2024 is already delivering several debuts, and boy group Waker is next on the docket. They pre-released Dash last month, which I really should have covered on the blog because it’s quite good. Now, they’ve turned the page with a softer sound on the anthemic Atlantis. Songs with “Atlantis” in the title have a pretty … Continue reading
The year is only a few days old, but we already have a new debut! The five-member Geenius hail from Sure Place Music & Creative, but had previous ties with the embattled Blockberry Creative. Their first digital single Voyage shows promise, even if its unfocused nature ultimately makes for a frustrating listen. In my recent … Continue reading
The Boyz have recently started releasing music videos for unit tracks. Last summer’s Passion Fruit got one and now we have a stylish visual for Sunwoo and Eric’s hip-hop track Honey, originally released on the group’s November album. Apart from its excellent title track, that album didn’t resonate with me the same way Christmas In … Continue reading
Thus far, ICHILLIN’ have pinballed through a variety of styles, most recently getting caught in the sing-chant nursery rhyme style that plagues many of their peers’ discographies. New digital single Bite Me still has a (lack of) melody problem, but its dynamic instrumental counterpunches with surprising force. Bite Me opens with a wallop, as thundering … Continue reading
TWS are not set to debut until later this month, but as the first Pledis Entertainment boy group following the incredible success of Seventeen, many eyes are already on them. As a taste of their self-described “boyhood pop,” they’ve dropped a fun music video for pre-release Oh Mymy: 7s. The early Seventeen vibes are strong … Continue reading
TVXQ are celebrating their twentieth anniversary with the release of their first Korean album in five years. There are few active K-pop acts I’d consider “royalty,” but TVXQ are legends among legends. It’s always exciting to have them back with new music, even if a lot has changed since 2018’s New Chapter #2: The Truth … Continue reading
Korea’s mandatory military conscription seems like it’s hitting K-pop especially hard at the moment, with soloist WOODZ the latest to announce an impending hiatus. Before he fulfils his service, he’s gifted fans with a pair of new songs. It’s easy to think of this work as an extension of his excellent album OO-LI, fully embracing … Continue reading
What do we have here? A K-pop dance track with a consistent pulse? A rugged electro beat that doesn’t slow or stop even for the pre-chorus?? These shouldn’t be rare features to find in a song, yet Narsha’s Game feels like a time capsule unearthed from a different era. This shouldn’t be surprising coming from … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When ATEEZ move away from their … Continue reading
When a group has a handful of 10-out-of-10 Legendary Songs in their discography, it can be hard to temper expectations for new music. I probably hold Kis-My-Ft2 to a higher standard than many other groups because their 2016-18 era is among my favorite discographies in all of J-pop. They’re unlikely to replicate that again, making … Continue reading
With new single Boogie Man, Lucy proudly continue K-pop’s tradition of releasing songs with a great Halloween theme long after the holiday has passed. There’s nothing like a little spookiness alongside your winter lights, right? But regardless of Boogie Man‘s musical tone, it’s nice to hear the group stretch themselves and tackle something with more … Continue reading
I don’t often write “buried treasure” posts for Japanese b-sides, but I almost made an exception for &TEAM’s Dropkick. As fate would have it, HYBE decided to release the song with its own music video and send the guys to promote it on music shows. That’s one hundred percent the correct choice, since Dropkick laps … Continue reading
Upon the release of his first full album, fans are reeling at the revelation that Nam Woohyun was secretly battling a rare form of cancer earlier this year. Beyond the sheer ache we all feel for his struggle, I can’t help but admire his bravery in the face of a life-altering diagnosis. It’s impossible not … Continue reading
Ryugujo are my favorite 2023 debut in any music market. I find the concept of a boy group taking on Avu-chan’s genre-bending, gutsy alt-rock very compelling and unlike anything else on the market. Part of the fun is watching them grow into this challenge. You don’t simply sing an Avu-chan track, nor are there many … Continue reading
“24K+” is the weirdest rebrand. It’s an offshoot of boy group 24K, who debuted all the way back in 2012. Yet, no original member remains and their new style/concept is markedly different from what 24K had been doing most of their career. I’d understand the slight tweaking of the name if the entity “24K” had … Continue reading
You’ve gotta hand it to JYP. He sticks to what he excels at… and often takes a mean promo shot to go along with it! I’m loving the styling and the pose of the picture above. It’s weirdly flattering, even if its inspirations lie in a bygone era. But really, JYP has made a late-career … Continue reading
The Boyz delivered one of my favorite sets of summer songs with the first part of their new album this August. This was somewhat unexpected — not because the group isn’t talented, but because I never know what I’m going to get with them. Of all the groups in their standing, I can’t pinpoint a … Continue reading
ZEROBASEONE’s Crush has grown on me a lot over the past few weeks, so much so that I hardly notice the momentum-shifting chant at its centerpiece. But for those who would prefer something a little smoother, the group has released a music video for the album’s opening track, Melting Point. This is much more in … Continue reading
Though this spring’s Bite Me was not without its issues, it went on to be a big hit for ENHYPEN by tapping into the Y2K trend and prioritizing a short-but-sweet song structure. The funky teasers for new title track Sweet Venom promised something even better, and HYBE-related acts have found recent success with MJ-esque throwbacks. … Continue reading
The Bias List // K-Pop Reviews & Discussion 