In a year already stuffed with competitive boy group debuts, it’s time for another new act. idntt (pronounced “Identity”) is the brainchild of Jaden Jeong, the man behind LOONA, tripleS and ARTMS. The group follows the same interactive system as tripleS, with twenty-four members split into sub-units based on fan input. The agency is also … Continue reading
About a month ago, Jeon Somi released the underdeveloped Extra, which turned out to be a pre-release for her new mini album. This is only her second mini album in seven years, and third album overall. The pace may be glacial, but it’s nice to finally hear something more substantial from her. Closer acts as … Continue reading
In my house, there exists a hallowed “Damdadi” that heralded the arrival of a personal favorite idol group, so there’s no way I’m not instantly imagining baseball uniforms and hip-shaking choreo when I see that title. However, producer R.Tee and i-dle’s Soyeon have also ventured into “Damdadi” territory with this new collaboration. While there’s no … Continue reading
It’s been a pretty lousy year for J-pop, but my favorite acts have actually remained pretty reliable. We’ve seen highlights from Ryugujo, Genic and Kis-My-Ft2, and co-ed group One Love One Heart has recently been churning out solid material as well. Best of all, they finally seem eager to draw upon their biggest strength: the … Continue reading
Starship Entertainment’s new girl group KiiiKiii debuted earlier this year, grabbing attention with a diverse set of promoted tracks. Their memey Debut Song didn’t work for me and I found follow-ups BTG and Groundwork a little too fitful to last on my playlist, but the generic pop of I Do Me enjoyed surprising longevity. Now, … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Judging from internet rumblings, the overriding … Continue reading
The Boyz hold the distinct honor of releasing one of the best songs of the year and one of the worst. For fans of film award celebrations, that’s like being nominated for an Oscar and a Razzie in the same year. I don’t know if the group themselves realize this, but they’ve dropped a follow-up … Continue reading
I really enjoy Close Your Eyes’ recent title track Snowy Summer, but when I think about it the song is probably my least favorite on their new mini album. I already wrote about b-side You, knowing full well that album opener Paint Candy would eventually be promoted as a double title track. Now, it’s been … Continue reading
“XngHan & Xoul” may not be a familiar name yet, but “RIIZE’s Seunghan” certainly is. Seunghan debuted with SM Entertainment’s RIIZE in 2023 but was forced out of the group soonafter for insanely ridiculous reasons. For a moment, it seemed as if he would re-join their ranks, but fan toxicity caused him to debut as … Continue reading
Infinite members have remained busy since their return in 2023, and that includes solo projects. As a massive fan of the group (I’d still consider them my ultimate bias), I haven’t cared for much of the music to come from this era but I wish the guys well and hope for their continued success. Main … Continue reading
TXT’s new (full) album weighs in at eight tracks and a paltry twenty-one minutes. This brevity isn’t unique to TXT and I don’t mean to call them out specifically, but it’s representative of choices the K-pop industry is currently making. So much effort seems to go into everything surrounding the music, even as the actual … Continue reading
I’ve had my eyes on Dragon Pony since their stellar debut last year. Follow-up Not Out took their music in an angstier direction, but maintained their knack for a strong chorus. New single Radio Silence (지구소년) finds a middle ground that infuses an energetic sound with plenty of emotion. An Tae Gyu’s vocals remain the … Continue reading
With last year’s NEMONEMO, Choi Yena took on the mantle of quirky K-pop performer formerly held by groups like Orange Caramel and Crayon Pop. With so many acts proclaiming their badassery in the most serious way possible, a little irreverence is more important than ever. She’s also got a rocker-girl aesthetic, and new single Being … Continue reading
AHOF debuted with a splash earlier this month, quickly winning music shows and my own playlist with their fantastic Rendezvous. The rest of their mini album is more subdued than I’d like, but the strength of its title track has me revisiting the b-sides more often than I usually would and every one of them … Continue reading
2025 has been the year of rookie boy groups spawned from survival series. NouerA, AHOF and Close Your Eyes have led the charge, each delivering great music that feels unique to them. Next up is SEVENTOEIGHT, emerging from SBS’s series SCOOL, which concluded late last year. Confusingly, there are six members of this new group, … Continue reading
When talking about girl group vocals I love, Woollim Entertainment’s Lovelyz often comes up. The group is home to some of my favorite vocal tones in K-pop, and Ryu Sujeong is certainly one of them. Since Lovelyz went on hiatus she’s developed an indie-pop solo career, most of which I haven’t written about here. However, … Continue reading
ASC2NT debuted last year and caught my attention with their strong vocals. Neither of their songs so far have fully taken advantage of this asset, but I can tell the group could do great things with the right material. New single Don’t Move gets closer to fulfilling that potential, offering an addictive electro thump. We’ve … Continue reading
Apart from the K-pop ecosystem we all know and love, there’s a thriving trot industry in Korea that most foreign listeners may never be exposed to. I don’t often write about trot music, as it’s its own genre with unique quirks and vast history. However, sometimes a song crosses over in a way that embraces … Continue reading
Earlier this year, STAYC found their dancefloor groove with the addictive Bebe. Though that song didn’t totally click with me initially, it gradually grew into one of my most-played tracks of the year. With new summer single I Want It, they group keeps the energy high with an early-2010’s EDM twist. As soon as I … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Of all possible K-pop artists, I … Continue reading
The Bias List // K-Pop Reviews & Discussion 