I haven’t written much about any of the artists from Japan’s LDH empire since 2016, but I’m hoping to change that this year. Over the past few months, I’ve actively engrossed myself in the history of the agency’s Exile Tribe brand of groups, inspired by a late-2019 streak of excellent singles. That streak has continued … Continue reading
After taking an extended break from the K-pop industry, Kang Daniel has returned with the release of his first mini album. Never mind that two-fifths of the EP is a repackage of his November single. It’s good to have him back, and hopefully with a renewed strength in mental health. New title track 2U sees … Continue reading
ONEUS kicked off their K-pop career in stunning fashion, wowing with the dynamic Valkyrie in early 2019. Since then, I’ve felt that their singles run has slowly declined in quality, though the strength of their album tracks remains intact. Even their latest Japanese single was paired with some stunning b-sides. New release A Song Written … Continue reading
With over 2,900 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
With over 2,900 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
With over 2,900 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. In a normal week, this buried treasure probably would have been … Continue reading
With so many of their peers heading down a darker, moodier route, Dongkiz have become a welcome salve for the boy group landscape. It’s hard to imagine anything called “Dongkiz” being the least-bit edgy, but that’s okay. Given all the chaos and anxiety floating around the world right now, I think we could all use … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When thinking about picking a buried treasure for NCT 127’s newest … Continue reading
Between Korea and Japan, Dreamcatcher have been quite active these past few months. For each of their most recent promotional periods, they’ve released both a K-pop and J-pop single within mere weeks of each other. Their Korean work has been more willing to experiment, which resulted in the brilliant Scream last month. Japanese tracks like … Continue reading
Despite unlimited potential for new sub-units, NCT’s Korean promotion has largely boiled down to releases from either 127 or Dream. Both have secured plenty of fans under the NCT umbrella, showing a remarkable level of diversity when it comes to genre and style. Still, when I think of NCT 127, I immediately picture experimental soundscapes, … Continue reading
This February left us with a lot of sound-alike tracks, and that included a few debuts. With such a saturated market, K-pop agencies seem scared to offer anything new or risky. The thing is, I’d argue that playing it safe is rarely a good strategy for new groups. It’s so easy to be swept up … Continue reading
AB6IX’s solo project 5NALLY is mostly one long dirge, where the members’ personalities take a backseat to the kind of trendy music that prioritizes “cool” over interesting. Lee Daehwi’s Rose, Scent, Kiss stands as a beacon of authenticity amid all the generic pop surrounding it. It’s not a tremendous track on its own, but benefits … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. In a way, On was the perfect title track to represent … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. A sense of continuity is so important when it comes to … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Overall, I found IZ*ONE’s new album BlOOM*IZ to be a downgrade … Continue reading
Girl group 3YE have been steadily sharpening their sound with each release, injecting memorable touches into an otherwise generic K-pop style. Last year’s otherwise-bland Out Of My Mind thrived on its addictive pre-chorus, which employed the kind of airy, rapid-fire delivery that made Billie Eilish’s Bad Guy such an international success. New single Queen (퀸) goes … Continue reading
Ever since their debut in 2017, I’ve felt that WM Entertainment’s promotion of ONF has been kind of lackluster. Their first few years saw a dearth of comebacks, just as the group needed to start building a fanbase. 2019 was better in this regard, offering two mini albums and a consistent sound. Then, WM started … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Earlier this week, Pentagon were the subject of my ire for … Continue reading
Mamamoo’s massive success has spawned equally popular solo offerings from its members. This time last year, Hwasa unveiled the addictive Twit, which ended up being one of 2019’s most enduring hits. This time around, it’s Moonbyul’s turn. She’s back with her second mini album, which sees her trying on a different style for title track … Continue reading
The Bias List // K-Pop Reviews & Discussion 